Pictorial Turn

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
antony
Archaeopteryx Lithographica
art history methodology
Atlantic World Slavery
Blake's Composite Art
Blake’s Composite Art
bruguera
Category=AGA
Category=JBCT
Category=JHM
Crystal Palace Park
Dinosaur Book
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fieldwork Notebooks
Formal Phylogenetic Analysis
Freudian Uncanny
gormley
holy
Holy Landscape
Hooded Man
Humber Estuary
iconology research
image ontology
Imperial Landscape
interdisciplinary image studies
landscape
Lee's Film
Lee’s Film
Levees Broke
Martin Luther King
mitchell
Mitchell's Writings
mitchells
Mitchell’s Writings
Naked Sets
National Library
Pictorial Turn
Pitot Tube
political imagery analysis
Postsemiotic Rediscovery
Sympathetic Magic
tania
Tania Bruguera
tom
Vice Versa
visual anthropology
visual culture theory
writings
Young Man

Product details

  • ISBN 9780415549820
  • Weight: 600g
  • Dimensions: 174 x 246mm
  • Publication Date: 09 Apr 2010
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

In 1992 W. J. T. Mitchell argued for a "pictorial turn" in the humanities, registering a renewed interest in and prevalence of pictures and images in what had been understood as an age of simulation, or an increasingly extensive and diverse visual culture. However, in what is often characterized as a society of the "spectacle" we still do not know exactly what pictures or images are, what their relation to language is, how they operate on observers and the world, how their history is to be understood, and what is to be done with or about them.

In this seminal collection of essays, the first to be devoted to the "pictorial turn", theorists from across the humanities and social sciences, representing the disciplines of art history, philosophy, geography, media studies, visual studies and anthropology, are brought together with a paleontologist and practising artists to consider amongst other things the relation between pictures and images, the power of landscape, the nature of political images, the status of images in the natural sciences, the "life" of images, and the pictorial uncanny. With these topics in mind, picture theory and iconology exceed in scope the objects of visual culture conventionally understood.

This book was published as a special issue of Culture, Theory and Critique.

Neal Curtis is Director of the Centre for Critical Theory, and Lecturer in Cultural Studies at the University of Nottingham. He is the author of Against Autonomy: Lyotard, Judgement and Action (2001) and War and Social Theory: World, Value and Identity (2006).