Picture This

Regular price €29.99
Age Group_Uncategorized
Age Group_Uncategorized
automatic-update
B01=Pearl James
Category1=Non-Fiction
Category=HBWN
Category=NHWR5
COP=United States
Delivery_Delivery within 10-20 working days
eq_history
eq_isMigrated=2
eq_non-fiction
Language_English
PA=Available
Price_€20 to €50
PS=Active
softlaunch

Product details

  • ISBN 9780803226104
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Jan 2010
  • Publisher: University of Nebraska Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days
: On Backorder

Will Deliver When Available
: On Pre-Order or Reprinting

We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!

The First World War was waged through the participation not just of soldiers but of men, women, and children on the home front. Mass-produced, full-color, large-format war posters were both a sign and an instrument of this historic shift in warfare. War posters celebrated, in both their form and content, the modernity of the conflict. They also reached an enormous international audience through their prominent display and continual reproduction in pamphlets and magazines in every combatant nation, uniting diverse populations as viewers of the same image and bringing them closer, in an imaginary and powerful way, to the war. Most war posters were aimed particularly at civilian populations. Posters nationalized, mobilized, and modernized those populations, thereby influencing how they viewed themselves and their activities. The home-front life—factory work, agricultural work, domestic work, the consumption and conservation of goods, as well as various forms of leisure—became, through the viewing of posters, emblematic of national identity and of each citizen’s place within the collective effort to win the war.  Essays by Jay Winter, Jeffrey T. Schnapp, Jennifer D. Keene, and others reveal the centrality of visual media, particularly the poster, within the specific national contexts of Britain, France, Germany, Russia, and the United States during World War I. Ultimately, posters were not merely representations of popular understanding of the war, but instruments influencing the reach, meaning, and memory of the war in subtle and pervasive ways.
Pearl James is an assistant professor of English at the University of Kentucky.   Contributors: Meg Albrinck, Richard S. Fogarty, Stefan Goebel, Nicoletta F. Gullace, Pearl James, Jakub Kazecki, Jennifer D. Keene, John M. Kinder, Mark Levitch, Jason Lieblang, Andrew Nedd, Jeffrey T. Schnapp, and Jay Winter.