Pictures Generation at Hallwalls

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1970s Art
A01=Vera Dika
archival research methods
Art History
Author_Vera Dika
BFA Program
Body
Buff State
Buffalo
Cal Arts
Category=AFKP
Category=AGA
Category=AJ
Category=ATD
Category=JBSF
Category=JHB
contemporary art theory
Creative Associates
Dense
East Coast art movements
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminist visual studies
Gender
gender and body representation in art
Graham's Performance
Graham’s Performance
Hallswalls
Hallswalls Generation
John Baldessari
Johnny Mnemonic
Lucille Ball
Mechanical Reproduction
media reproduction critique
NYSCA
Open Rap
performance art analysis
Petr Kotik
Photo Booth
Punta Della Dogana
Rumstick Road
Santa Maria Gloriosa Dei Frari
Sherman's Work
Sherman’s Work
Spalding Gray
UB
Vito Acconci
Wall Drawing
Young Man

Product details

  • ISBN 9781032103945
  • Weight: 600g
  • Dimensions: 174 x 246mm
  • Publication Date: 16 Jun 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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In this book, Vera Dika rewrites the story of the Pictures Generation from the perspective of the Hallwalls Contemporary Arts Center in Buffalo, NY. Her work is based on interviews with living artists, archival research, and personal collections, including films, videotapes, and sound recordings. At once aesthetic, cultural, and political, this renewed perspective asks new questions and rewrites past assumptions about the artists’ work.

The legendary members of the East Coast Pictures Generation emerged at Hallwalls Contemporary Art Center in Buffalo in the mid-1970s. These young people had started Hallwalls, an artist-run organization that invited artists from a variety of mediums to show their work. It also featured productions by the founding members themselves: Robert Longo, Charles Clough, Cindy Sherman, Nancy Dwyer, and Michael Zwack. The works discussed in the volume include performance, video, films, painting, music, and literature, and have been chosen because of the way they foreground states of the body in relationship to conditions of their medium. As a distinguishing feature of Hallwalls artists’ work, the practice uses these traces to make metaphors on the process of mechanical reproduction itself. The Hallwalls artists’ work also gives testament to Buffalo and to New York City, the cities that formed their historical contexts.

This book will be of interest to scholars working in art history, performance studies, film studies, and gender studies.

Vera Dika is Associate Professor at New Jersey City University.

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