Picturing Fiction through Embodied Cognition

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A01=Bien Klomberg
A01=Michael Burke
A01=Theresa Schilhab
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Author_Bien Klomberg
Author_Michael Burke
Author_Theresa Schilhab
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Bien Klomberg
Bird's Eye
Category1=Non-Fiction
Category=CF
Category=DSB
Category=HPM
Category=JMA
Category=JMR
Cognitive Narratology
cognitive psychology
cognitive science
Cognitive Turn
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Drawn Representations and Viewpoint in Literary Texts
Drinking Situation
Embodied Cognition
Embodied Cognition Approach
Embodied Cognition Framework
embodied cognition in literature studies
Embodied Cognition Perspective
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eq_dictionaries-language-reference
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interdisciplinary research methods
Language_English
Linguistic Artifices
Linguistic Prompts
literary discourses
literary interpretation
literary texts
Majority Interpretation
mental 'vision'
Mental Imagery
mental imagery analysis
Michael Burke
Modal Verbs
Narrator's Eyes
Neckar River
Original Pre-test
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Picturing Fiction through Embodied Cognition
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Primary Olfactory Cortices
Protagonist's Head
PS=Active
reader response theory
Reader's Perception
readers' drawings of mental imagery during reading
readers' mental imagery
rhetoric
Roger Fowler
Skill Acquisition Model
softlaunch
stylistics
Theresa Schilhab
Van Dantzig
Verbal Track
Vice Versa
visual perception
Window Seat

Product details

  • ISBN 9781032125916
  • Weight: 180g
  • Dimensions: 138 x 216mm
  • Publication Date: 29 Jan 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This concise volume addresses the question of whether or not language, and its structure in literary discourses, determines individuals’ mental "vision," employing an innovative cross-disciplinary approach using readers’ drawings of their mental imagery during reading.

The book engages in critical dialogue with the perceived wisdom in stylistics rooted in Roger Fowler’s seminal work on deixis and point of view to test whether or not this theory can fully account for what readers see in their mind's eye and how they see it. The work draws on findings from a study of English and Dutch across a range of literary texts, in which participants read literary text fragments and were then asked to immediately draw representations of what they had seen envisioned. Building on the work of Fowler and more recent theoretical and empirical language-based studies in the area, Klomberg, Schilhab, and Burke argue that models from embodied cognitive science can help account for anomalies in evidence from readers’ drawings, indicating new ways forward for interdisciplinary understandings of individual meaning construction in literary textual interfaces.

This book will be of interest to students and scholars in stylistics, cognitive psychology, rhetoric, and philosophy, particularly those working in the field of embodied cognition.

The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non-Commercial (CC-BY-NC-) 4.0 license.

Bien Klomberg is a PhD candidate in the Department of Communication and Cognition at Tilburg University, the Netherlands. Her research focuses on conceptual blending and the comprehension of (dis)continuity in visual narrative sequences.

Theresa Schilhab is Associate Professor in Cognitive Biology at Danish School of Education (Aarhus University), Copenhagen, Denmark. In 2016 she achieved the higher doctorate (doctor pædagogiæ) in Educational Neuroscience on the monograph Derived Embodiment in Abstract Language (2017), which focuses on the biological perspective on language, and is co-editor of the anthology The Materiality of Reading (with S. Walker, 2020).

Michael Burke is Professor of Rhetoric at University College Roosevelt (Utrecht University), Middelburg, the Netherlands. He is the author of Literary Reading, Cognition and Emotion: An Exploration of the Oceanic Mind (2011) and the co-editor of Cognitive Literary Science: Dialogues between Literature and Cognition (with E. T. Troscianko, 2017).

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