Picturing the Proletariat

Regular price €28.50
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=John Lear
Age Group_Uncategorized
Age Group_Uncategorized
Author_John Lear
automatic-update
Category1=Non-Fiction
Category=ACXD
Category=AGA
Category=HBJK
Category=HBLW
Category=NHK
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=0
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
PA=Available
Price_€20 to €50
PS=Active
softlaunch

Product details

  • ISBN 9781477311509
  • Weight: 626g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Jan 2017
  • Publisher: University of Texas Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

Thomas McGann Memorial Prize, Rocky Mountain Council on Latin American Studies, 2017
Runner-up, Humanities Book Prize, Mexico Section of the Latin American Studies Association, 2018

In the wake of Mexico’s revolution, artists played a fundamental role in constructing a national identity centered on working people and were hailed for their contributions to modern art. Picturing the Proletariat examines three aspects of this artistic legacy: the parallel paths of organized labor and artists’ collectives, the relations among these groups and the state, and visual narratives of the worker. Showcasing forgotten works and neglected media, John Lear explores how artists and labor unions participated in a cycle of revolutionary transformation from 1908 through the presidency of LÁzaro CÁrdenas (1934–1940). Lear shows how middle-class artists, radicalized by the revolution and the Communist Party, fortified the legacy of the prerevolutionary print artisan JosÉ Guadalupe Posada by incorporating modernist, avant-garde, and nationalist elements in ways that supported and challenged unions and the state. By 1940, the state undermined the autonomy of radical artists and unions, while preserving the image of both as partners of the “institutionalized revolution.”

This interdisciplinary book explores the gendered representations of workers; the interplay of prints, photographs, and murals in journals, in posters, and on walls; the role of labor leaders; and the discursive impact of the Spanish Civil War. It considers “los tres grandes”-Rivera, Siquieros, and Orozco-while featuring lesser-known artists and their collectives, including Saturnino HerrÁn, Leopoldo MÉndez, Santos Balmori, and the League of Revolutionary Writers and Artists (LEAR). The result is a new perspective on the art and politics of the revolution.

John Lear is a professor of history and Latin American studies at the University of Puget Sound. His publications include Workers, Neighbors and Citizens: The Revolution in Mexico City and Chile's Free Market Miracle: A Second Look.

More from this author