A01=Beatriz Pichel
A01=Dr Beatriz Pichel
Age Group_Uncategorized
Age Group_Uncategorized
amateur photography
Author_Beatriz Pichel
Author_Dr Beatriz Pichel
automatic-update
Category1=Non-Fiction
Category=AJ
Category=HBTB
Category=HBWN
Category=NHTB
Category=NHWR5
COP=United Kingdom
death
Delivery_Delivery within 10-20 working days
emotional practices
emotions
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
geographical imagination
gueules cassees
history of experience
Language_English
memory
PA=Available
photographic archive
photographic practice
Price_€20 to €50
PS=Active
Section photographique de l'armee
Section photographique de l’armée
softlaunch
suicide
war dead
war missing
Wartime France
Product details
- ISBN 9781526172006
- Weight: 322g
- Dimensions: 138 x 216mm
- Publication Date: 29 Aug 2023
- Publisher: Manchester University Press
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
Between 1914 and 1918, military, press and amateur photographers produced thousands of pictures. Either classified in military archives specially created with this purpose in 1915, collected in personal albums or circulated in illustrated magazines, photographs were supposed to tell the story of the war. Picturing the Western Front argues that photographic practices also shaped combatants and civilians’ war experiences. Doing photography (taking pictures, posing for them, exhibiting, cataloguing and looking at them) allowed combatants and civilians to make sense of what they were living through. Photography mattered because it enabled combatants and civilians to record events, establish or reinforce bonds with one another, represent bodies, place people and events in imaginative geographies and making things visible, while making others, such as suicide, invisible. Photographic practices became, thus, frames of experience.
Beatriz Pichel is Associate Professor in Photographic History at De Montfort University
