Pierre Bonnard Beyond Vision

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domesticity
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everyday life
flattening depth
french painting
impressionism
japonisme
landscape painting
Language_English
marthe bonnard
matisse
modernism
muse
nabis
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passage of time
perspective
photography
post-impressionism
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relationship between viewer and artist
sketchbooks
softlaunch

Product details

  • ISBN 9780300258868
  • Dimensions: 203 x 254mm
  • Publication Date: 10 May 2022
  • Publisher: Yale University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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An unparalleled reassessment of Pierre Bonnard, exploring his paintings, drawings, photography, and prints

As one of the founders of the post-Impressionist group the Nabis, French artist Pierre Bonnard (1867–1947) is frequently seen as a transitional figure between the Impressionists and modernists. This beautifully illustrated book offers a fresh interpretation, revealing the artist’s central concern with expanding representation beyond the limits of natural vision. The result is a new understanding not only of Bonnard but of modernism itself.

Exploring how Bonnard’s dazzling domestic scenes and landscapes reimagine perception, embodiment, and the passage of time, Lucy Whelan characterizes him as a painter of unusual insight in his consideration of the relationship between vision and representation. The book covers Bonnard’s paintings, drawings, photographs, and prints, with special focus on his later works from the 1920s to his death in 1947, and draws on an in-depth study of the artist’s diaries, interviews, and other written sources. A groundbreaking reassessment, Pierre Bonnard Beyond Vision presents an artist engaged in avant-garde forms of experimentation who complicated vision in innovative ways.

Lucy Whelan is Graham Robertson Research Fellow at Downing College, University of Cambridge.

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