Pierre Boulez’s sur Incises and its World

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A01=Peter O'Hagan
Author_Peter O'Hagan
Category=AVLA
Category=AVN
Category=AVP
Category=AVRG
contemporary composition analysis
creative process in music
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eq_bestseller
eq_isMigrated=1
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eq_music
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eq_nobargain
eq_non-fiction
keyboard ensemble repertoire
late Boulez compositional style
music sketch studies
serialism techniques
twentieth-century composers

Product details

  • ISBN 9781032565347
  • Weight: 530g
  • Dimensions: 156 x 234mm
  • Publication Date: 21 May 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Performer and researcher Peter O’Hagan studies the musical style of Pierre Boulez during his final creative period, by means of a detailed consideration of the ensemble work sur Incises, which stands at the heart of Boulez’s later output.

O’Hagan offers a unique blend of perceptions stemming from playing as well as analysing Boulez’s piano music. It is examined in the context of the group of works based on the cipher derived from the name of the dedicatee, Paul Sacher. With one exception, these works are dominated by the keyboard, and sur Incises is examined in relation both to them and to the composer’s output as a whole. An absorbing narrative elucidates the complex evolution of sur Incises, informed by a study of the considerable body of sketches and drafts. O’Hagan sheds new light on the creative process, not only in this work, but more generally on Boulez as a dominant force in music since 1950.

The book will be of interest not only to specialists in the field of contemporary music but to musicology students and a wider public interested in the work of one of the dominating creative personalities of our time.

Peter O’Hagan is a pianist and writer specialising in contemporary music. He is editor of British Music of the 1990s (Ashgate 2003), co-editor of Boulez Studies (2016) and author of Pierre Boulez and the Piano (Routledge 2016).

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