Pilgrimage and Politics in Colonial Bengal

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A01=Imma Ramos
art and politics
art and religion
Asia
Author's Photograph
Author_Imma Ramos
Author’s Photograph
Bande Mataram
Bangiya Sahitya Parishad
Bangladesh
Bengal
Bengali Literati
Bengali Nationalist
Bengali Writers
Bhudev Mukhopadhyay
Calcutta Art Studio
Category=QRD
Category=QRVK2
colonial Bengal history
colonialism
Devon Ke Dev Mahadev
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
goddess
goddess cults in Indian politics
Goddess Kamakhya
Hindu nationalism
Hinduism
image worship debates
India
India's Belly
India’s Belly
indigenous people
indigenous studies
Kalighat Paintings
Kalighat Temple
Kamakhya Temple
Koch King
literature
Modern Hindu Identity
Patriotic Level
patriotism
pilgrimage
Pilgrimage Souvenirs
pilgrims
politics
religion
sacred geography
sacred sites
Sati
Sati Myth
Sati's Body
Sati's Corpse
Sati’s Body
Sati’s Corpse
Shakti Pitha
Shakti Pithas
South Asia
subcontinent
Tantric Practices
Tantric Ritual
Tantric ritual studies
visual culture

Product details

  • ISBN 9781472489449
  • Weight: 430g
  • Dimensions: 174 x 246mm
  • Publication Date: 03 Mar 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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From the late nineteenth century onwards the concept of Mother India assumed political significance in colonial Bengal. Reacting against British rule, Bengali writers and artists gendered the nation in literature and visual culture in order to inspire patriotism amongst the indigenous population. This book will examine the process by which the Hindu goddess Sati rose to sudden prominence as a personification of the subcontinent and an icon of heroic self-sacrifice. According to a myth of cosmic dismemberment, Sati’s body parts were scattered across South Asia and enshrined as Shakti Pithas, or Seats of Power. These sacred sites were re-imagined as the fragmented body of the motherland in crisis that could provide the basis for an emergent territorial consciousness. The most potent sites were located in eastern India, Kalighat and Tarapith in Bengal, and Kamakhya in Assam. By examining Bengali and colonial responses to these temples and the ritual traditions associated with them, including Tantra and image worship, this book will provide the first comprehensive study of this ancient network of pilgrimage sites in an art historical and political context.

Imma Ramos is Curator of the South Asia Collections at the British Museum, UK.

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