Pinocchio, Puppets, and Modernity

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Animal Kingdom
Autre Monde
avventure
Blue Fairy
Carlo Collodi
Category=DSY
Collodi's Book
Collodi's Pinocchio
Collodi's Tale
Collodi’s Book
Collodi’s Pinocchio
Collodi’s Tale
comparative literature research
cultural identity studies
dario
Dario Fo
digital humanities
Disney's Pinocchio
Disney’s Pinocchio
Dull Yellow Eye
Enrico Prampolini
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fine Day
Fortunato Depero
Free Women
Grande Pantomima
Julien Offray De La Mettrie
killer
marionette theory
mass
mechanical-human interface in arts
modernist theater analysis
National Library
nez
posthumanism
Puppet Pinocchio
Reproductive Female Body
roi
Snow Man
soldier
steadfast
Steadfast Tin Soldier
tin
Tv Broadcast
ubu
Ubu Roi
Vice Versa
Young Man

Product details

  • ISBN 9781032569673
  • Weight: 380g
  • Dimensions: 152 x 229mm
  • Publication Date: 31 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This study assesses the significance of Pinocchio in the twentieth and twenty-first centuries in addition to his status as the creature of a nineteenth century traversed by a cultural enthusiasm for dummies, puppets, and marionettes. This collection identifies him as a figure characterized by a 'fluid identity,' informed with transition, difference, joie de vivre, otherness, displacement, and metamorphosis, making Pinocchio a truly modern, indeed postmodern and posthuman, cultural icon. Pinocchio, Puppets and Modernity explores this crucial and as yet little visited field, reassessing Pinocchio's genealogy and progeny, as well as illuminating both the wider context and more specific cultural manifestations of the mechanical-human interface in the domains of theatre, the fine arts, literature, radio, and even virtual reality coherently with the digital metamorphosis of our times.

The wide-ranging scope of this exploration encompasses Italian, French, and English literature, dummies and marionettes in modernist and contemporary theatre, the fairytale tradition, and traditional and contemporary painting, as well as the older and newer media of radio, television, cinema, and the Internet. The diverse, comparative, and multimedia focus of this original discussion testifies to the enduring transcultural legacy of Pinocchio. Eminently sellable as a traditional cultural icon, Pinocchio is equally impactful and relevant for a globalized, multicultural, and virtual society, from Collodi to Disney and beyond.

Katia Pizzi is Senior Lecturer in Italian at the Institute of Germanic & Romance Studies, School of Advanced Study, University of London. She has published volumes on cultural identities, including A City in Search of an Author (2001) and The Cultural Identities of European Cities (2010), and on children's literature and illustration.

Katia Pizzi is Senior Lecturer in Italian at the Institute of Germanic & Romance Studies, University of London. She has published volumes on cultural identities, especially A City in Search of an Author (2001) and The Cultural Identities of European Cities (2010), and on children’s literature and illustration.