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Pipeline Cinema
A01=Mona Damluji
Abadan and Baghdad representations
Author_Mona Damluji
Category=ATFA
Category=JBCT
Category=KNBP
cultural workers in Middle East
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eq_bestseller
eq_business-finance-law
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eq_society-politics
extraction
film archives
labor movements in cinema
Middle Eastern cinema
neocolonialism in film
oil city visual culture
oil industry documentaries
petroleum industry critiques
Product details
- ISBN 9780520424296
- Dimensions: 152 x 229mm
- Publication Date: 23 Dec 2025
- Publisher: University of California Press
- Publication City/Country: US
- Product Form: Hardback
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A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.
Pipeline Cinema explores the intertwined histories of documentary film and the oil industry in mid-twentieth century Iran and Iraq. Reading against the grain of oil company archives, Mona Damluji reveals how wells, pipelines, pumping stations, and refineries were sites of cinematic production and exhibition, at once normalizing and challenging neocolonial extraction. Shining a light on cultural workers and labor movements, this book offers a distinctly humanistic lens on an otherwise dehumanizing petroleum industry.
Pipeline Cinema explores the intertwined histories of documentary film and the oil industry in mid-twentieth century Iran and Iraq. Reading against the grain of oil company archives, Mona Damluji reveals how wells, pipelines, pumping stations, and refineries were sites of cinematic production and exhibition, at once normalizing and challenging neocolonial extraction. Shining a light on cultural workers and labor movements, this book offers a distinctly humanistic lens on an otherwise dehumanizing petroleum industry.
Mona Damluji is Assistant Professor of Film and Media Studies at the University of California, Santa Barbara.
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