Place-As-Medium and New Grounds for Thinking in Contemporary Art
Shipping & Delivery
Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock
14-28 Working Days: On Backorder
Will Deliver When Available: On Pre-Order or Reprinting
We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!
Product details
- ISBN 9781032710099
- Weight: 540g
- Dimensions: 174 x 246mm
- Publication Date: 26 Dec 2025
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
This book presents a broad scope of global contemporary art projects, establishing a new philosophical framework to understand and evaluate the new art practice known as “place-as‑medium.”
This new category of art practice creates artworks that deepen our belonging to place by asking us to think through them together. This book shows how place‑as‑medium art reshapes the ground of thinking by offering a new reading of the work of Alfredo Jaar through the theories of Jacques Ranciere, Gianni Vattimo, and Martin Heidegger. An in-depth analysis of Carolyn Christov-Bakargiev’s 2012 international art exhibition dOCUMENTA (13) focuses on the temporal and spatial dimensions of thinking through place. This book advocates for shared authorship exemplified in artworks by Theaster Gates and John Preus that use repair and renovation to rebuild communities, and provides a model for ecological thinking in a case study of The Swamp School by Nomeda and Gediminas Urbonas. Additionally, this book includes a Coda for Place‑As‑Medium as a practical guide for artists to think through place.
This book will be of interest to scholars working in art history, contemporary art, and philosophy.
Katherine Paige Farrington is an artist‑philosopher and currently holds the position of Associate Professor of Liberal Arts at Montserrat College of Art and Affiliated Faculty at Emerson College. Her artworks include Future Monument to the Trees of the Public Garden (2024), part of a multi‑year public art initiative Un‑Monument sponsored by the City of Boston’s Mayor’s Office of Arts and Culture and supported by the Mellon Foundation. Her art collective, Ocean School Collective (OSC), was selected for the 2025 Goetemann Environmental Artist Residency at the Ocean Alliance in Gloucester, Massachusetts by the Rocky Neck Art Colony.
