Plants, Places, and Power

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A01=Maria Stehle
A01=Professor Maria Stehle
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Author_Maria Stehle
Author_Professor Maria Stehle
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Category1=Non-Fiction
Category=APFA
Category=ATFA
Category=DSK
Category=HBLX
Category=HBTQ
Category=JBSF1
Category=JBSL1
Category=JFSJ1
Category=JFSL1
Category=NHTQ
Category=RNT
COP=United States
Das nackte Auge
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eq_biography-true-stories
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eq_society-politics
Faraz Shariat
Futur Drei
Gender Inequity
German Film
German Novels
Herkunft
Landscapes
Language_English
Mo Asumang
Nationalism
PA=Available
Price_€50 to €100
PS=Active
Roots Germania
Saša Stanišić
softlaunch
Yōko Tawada

Product details

  • ISBN 9781640141254
  • Dimensions: 152 x 229mm
  • Publication Date: 14 Feb 2023
  • Publisher: Boydell & Brewer Ltd
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Examines portrayals of plants and landscapes in recent German novels and films, addressing the contemporary forms of racism, nationalism, and social and ecological injustice that they expose. Plants, Places, and Power is a study of plants and landscapes in and beyond contemporary German-language literature and film. Stories and images of plants and landscapes in cultural productions are key sites for exposing the violent legacies of German colonialism and Nazism and for addressing contemporary forms of racism, nationalism, social and ecological injustice, and gender inequity. The novels and films discussed in this book address these key political issues in contemporary Europe and propose alternative ways for people to live together on this planet by formulating more inclusive and sustainable concepts of belonging. The book has two main objectives: to offer new approaches to contemporary literature and film from an intersectional, ecological perspective, and to form a canon. All of the works focused on, from Mo Asumang's documentary film Roots Germania (2007) through Faraz Shariat's Futur Drei (2020) and from Yōko Tawada's novel Das nackte Auge (2004) to Saša Stanišić's Herkunft (2019), are by female artists, artists of color, artists who have experienced forced displacement, and/or queer artists. In five chapters, Maria Stehle reads artworks in reference to ecological systems, develops forms of eco- and social criticism based on art, and intertwines ecological and critical thinking with questions of form, affect, and aesthetics.
MARIA STEHLE is Professor of German and Cinema Studies at the University of Tennessee, Knoxville.

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