Platonov

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A01=Anton Chekhov
Author_Anton Chekhov
Category=DD
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eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry

Product details

  • ISBN 9780571210510
  • Weight: 150g
  • Dimensions: 131 x 197mm
  • Publication Date: 03 Sep 2001
  • Publisher: Faber & Faber
  • Publication City/Country: GB
  • Product Form: Paperback
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In 1997, David Hare adapted the little-known play, Ivanov, and revealed the young Anton Chekhov as a markedly different writer from the one English-speaking audiences recognize from the more familiar plays.

Now Hare has turned his attention to another, equally surprising key work of Chekhov's youth - an abandoned seven-hour teenage manuscript in which a Russian schoolmaster faces up to the implications of being irresistibly attractive to four different women. Once again, we are introduced to a great Russian playwright who is funnier, more exuberant and more wildly romantic than anyone expects.

Platonov, in this adaptation, was premiered at the Almeida Theatre, London, in September 2001.

Anton Chekhov, Russian dramatist and short-story writer, was born in 1860, the son of a grocer and the grandson of a serf. After graduating in medicine from Moscow University in 1884, he began to make his name in the theatre with the one-act comedies The Bear, The Proposal and The Wedding. His earliest full-length plays, Ivanov (1887) and The Wood Demon (1889), were not successful, and The Seagull, produced in 1896, was a failure until a triumphant revival by the Moscow Art Theatre in 1898. This was followed by Uncle Vanya (1899), Three Sisters (1901) and The Cherry Orchard (1904), shortly after the production of which Chekhov died. The first English translations of his plays were performed within five years of his death. David Hare has written over thirty stage plays and thirty screenplays for film and television. The plays include Plenty, Pravda (with Howard Brenton), The Secret Rapture, Racing Demon, Skylight, Amy's View, The Blue Room, Via Dolorosa, Stuff Happens, The Absence of War, The Judas Kiss, The Red Barn, The Moderate Soprano, I'm Not Running and Beat the Devil. For cinema, he has written The Hours, The Reader, Damage, Denial, Wetherby and The White Crow among others, while his television films include Licking Hitler, the Worricker Trilogy, Collateral and Roadkill. In a millennial poll of the greatest plays of the twentieth century, five of the top hundred were his.

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