Play, Performance, and Identity

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anthropology
BDSM Community
BDSM Participants
BDSM Play
BDSM Practices
Category=ATD
Category=ATQ
Category=ATX
Chapell
Cinematic Cut Scene
Comic Con
Contemporary Societies
Corporate
Corporation
Cultural Construction
cultural studies
DVD Product
education
EPCOT
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
government agencies
Henley Shirt
identity formation
immersive experience analysis
institutional influence on ludic behavior
institutional power dynamics
LDS
LDS Church
Leisure
Leisure Studies
leisure theory
Lich King
Live Action Role Players
Ludic Experience
Male Subs
Media Studies
MMOG
Momentary Performance
Mormon Doctrine
NGO
NPCs
Omasta
performance studies
psychology
Reality Tv
Reality Tv Show
religious organizations
Shark Cage Diver
social construction of play
Sociology
Superhero Body
Theme Park
Tina's Wedding
Tina’s Wedding
USA Track
Vice Versa
White Shark
Young Men

Product details

  • ISBN 9781138016774
  • Weight: 408g
  • Dimensions: 152 x 229mm
  • Publication Date: 24 Feb 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Play helps define who we are as human beings. However, many of the leisurely/ludic activities people participate in are created and governed by corporate entities with social, political, and business agendas. As such, it is critical that scholars understand and explicate the ideological underpinnings of played-through experiences and how they affect the player/performers who engage in them.

This book explores how people play and why their play matters, with a particular interest in how ludic experiences are often constructed and controlled by the interests of institutions, including corporations, non-profit organizations, government agencies, religious organizations, and non-governmental organizations (NGOs). Each chapter explores diverse sites of play. From theme parks to comic conventions to massively-multiplayer online games, they probe what roles the designers of these experiences construct for players, and how such play might affect participants' identities and ideologies. Scholars of performance studies, leisure studies, media studies and sociology will find this book an essential reference when studying facets of play.

Matt Omasta is the Director of Theatre Education & Applied Theatre programs at Utah State University. His recent publications appear in Research in Drama Education: The Journal of Applied Theatre & Performance; Youth Theatre Journal; The International Journal of Education and the Arts and Theatre for Young Audiences Today. Drew Chappell is an interdisciplinary researcher whose articles appear in Qualitative Inquiry, Children’s Literature in Education, and Youth Theatre Journal. His edited volume Children Under Construction: Critical Essays on Play as Curriculum was published by Peter Lang. Drew teaches theatre at Chapman University and California State University Fullerton.