Playgrounds

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A01=David J. Amelang
Author_David J. Amelang
Category=AB
Category=ATD
Category=DDA
Category=DSG
Category=YPCA91
Comedia Nueva
Comedias Sueltas
Commercial Playhouses
commercial theatre evolution England Spain
comparative theatre studies
Corral De
Corral De La
Corral Del
De Comedias
Don Quijote
Double Falsehood
dramatic literature analysis
early modern drama research
Early Modern Spanish Theatre
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Golden Age Spain
London Amphitheatres
Lope De Vega
Lope's Theatre
Pedro De Urdemalas
performance cultures Europe
Performance Venue
Philip III
playhouse architecture history
Professional Actress
professional playmakers
Public Playhouses
Shakespearean England
Spanish Plays
Theatre Impresarios
Tiring House Wall
Vice Versa
Young Men

Product details

  • ISBN 9781032399447
  • Weight: 560g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Dec 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book compares the theatrical cultures of early modern England and Spain and explores the causes and consequences not just of the remarkable similarities but also of the visible differences between them.

An exercise in multi-focal theatre history research, it deploys a wide range of perspectives and evidence with which to recreate the theatrical landscapes of these two countries and thus better understand how the specific conditions of performance actively contributed to the development of each country’s dramatic literature. This monograph develops an innovative comparative framework within which to explore the numerous similarities, as well as the notable differences, between early modern Europe’s two most prominent commercial theatre cultures. By highlighting the nuances and intricacies that make each theatrical culture unique while never losing sight of the fact that the two belong to the same broader cultural ecosystem, its dual focus should appeal to scholars and students of English and Spanish literature alike, as well as those interested in the broader history of European theatre. Learning from what one ‘playground’ – that is, the environment and circumstances out of which a dramatic tradition originates – reveals about the other will help solve not only the questions posed above but also others that still await examination.

This investigation will be of great interest to students and scholars in theatre history, comparative drama, early modern drama, and performance culture.

David J. Amelang is an assistant professor in English Literature at the Department of English Studies of the Universidad Autónoma de Madrid. He currently serves on the board of directors of the Madrid Institute for Advanced Study (MIAS) and of the Spanish and Portuguese Society for English Renaissance Studies (SEDERI).

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