Pleasing Everyone

Regular price €31.99
A01=Jeffrey Knapp
Author_Jeffrey Knapp
Category1=Non-Fiction
Category=ATDF
Category=ATFA
Category=DSG
Category=NHTB
Category=NL-AN
Category=NL-AP
Category=NL-DS
Category=NL-HB
cinema
COP=United States
Discount=15
drama:Hollywood
eq_art-fashion-photography
eq_biography-true-stories
eq_history
eq_isMigrated=2
eq_non-fiction
Format=BC
Format_Paperback
HMM=230
IMPN=Oxford University Press Inc
ISBN13=9780190935924
Language_English
PA=Available
PD=20181215
POP=New York
Price_€20 to €50
PS=Active
PUB=Oxford University Press Inc
SMM=1
Subject=Film- Tv & Radio
Subject=History
Subject=Literature: History & Criticism
Subject=Theatre Studies
WG=450
WMM=155

Product details

  • ISBN 9780190935924
  • Format: Paperback
  • Weight: 476g
  • Dimensions: 234 x 155 x 1mm
  • Publication Date: 24 Jan 2019
  • Publisher: Oxford University Press Inc
  • Publication City/Country: New York, US
  • Product Form: Paperback
  • Language: English
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Shakespeare's plays were immensely popular in their own day -- so why do we refuse to think of them as mass entertainment? In Pleasing Everyone, author Jeffrey Knapp opens our eyes to the uncanny resemblance between Renaissance drama and the incontrovertibly mass medium of Golden-Age Hollywood cinema. Through fascinating explorations of such famous plays as Hamlet, The Roaring Girl, and The Alchemist, and such celebrated films as Citizen Kane, The Jazz Singer, and City Lights, Knapp challenges some of our most basic assumptions about the relationship between art and mass audiences. Above all, Knapp encourages us to resist the prejudice that mass entertainment necessarily simplifies and cheapens whatever it touches. As Knapp shows, it was instead the ceaseless pressure to please everyone that helped generate the astonishing richness and complexity of Renaissance drama as well as of Hollywood film.
Jeffrey Knapp is the Eggers Professor of English at the University of California, Berkeley. He is the author of several books, including An Empire Nowhere: England and America from Utopia to The Tempest (1992), Shakespeare's Tribe: Church, Nation, and Theater in Renaissance England (2002), and Shakespeare Only (2009).