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Pleasure of Pictures

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Aesthetic Appreciation
aesthetics
agency
Alberto Voltolini
Anamorphic Images
anamorphosis
art criticism methodology
Bence Nanay
Category=AF
Category=AGA
Category=JMR
Category=QDTM
Category=QDTN
CF
Chalk Drawing
Christ Child
cinematic theory
Clotilde Calabi
Covert Simulation
David Davies
depiction analysis
Depictive Marks
Dom Lopes
Dominic McIver Lopes
Elisabeth Schellekens
embodied simulation
Enrico Terrone
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
facture
Femme Au Chapeau
Georges Roque
Good Qua
Greg Currie
Gregory Currie
Jerome Pelletier
John Hyman
John Kulvicki
John Zeimbekis
Katerina Bantinaki
La Femme Au Chapeau
Marco Santambrogio
marks
Michele Guerra
Optical Mixture
Paolo Spinicci
Parmigianino's Madonna
Parmigianino’s Madonna
philosophical aesthetics of images
philosophy of art
philosophy of depiction
philosophy of perception
Pictorial Appreciation
Pictorial Experience
Pictorial Merit
Picture Contents
Picture Perceptions
Picture's Subject
Picture's Vehicle
Picture’s Subject
Picture’s Vehicle
Pre-motor Cortex
Regina Nino-Mion
Robert Hopkins
seeing-in
style
Style Separatism
Stylistic Deformity
stylistic interpretation
technique
Van Eyck's Arnolfini Portrait
Van Eyck’s Arnolfini Portrait
Vice Versa
visual perception theory
Vittorio Gallese
Walton
Wolfgang Huemer
Wollheim
Young Men

Product details

  • ISBN 9781138082144
  • Weight: 566g
  • Dimensions: 152 x 229mm
  • Publication Date: 11 Jul 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Description

The general aim of this volume is to investigate the nature of the relation between pictorial experience and aesthetic appreciation. In particular, it is concerned with the character and intimacy of this relationship: is there a mere causal connection between pictorial experience and aesthetic appreciation, or are the two relata constitutively associated with one another? The essays in the book’s first section investigate important conceptual issues related to the pictorial experience of paintings. In Section II, the essays discuss the notion of styles, techniques, agency, and facture, and also take into account the experience of photographic and cinematic pictures. The Pleasure of Pictures goes substantially beyond current debates in the philosophy of depiction to launch a new area of reflection in philosophical aesthetics.

About
Jérôme Pelletier is a Statutary Member at the Institut Jean Nicod, Paris, France Alberto Voltolini is Professor in Philosophy of Mind at the University of Turin, Italy