Plots: Literary Form and Conspiracy Culture

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Adolf Hitler
Amazing Spider Man
Apocalyptic Narratives
Auerbach
Balzac
Category=DSA
Category=DSB
Category=JHB
Category=JPH
Comics
Conspiracy
Conspiracy Culture
conspiracy narrative interpretation
Conspiracy Narratives
Dickens
Duchesse De Langeais
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eq_biography-true-stories
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Eva Horn
Figural Interpretation
Gravity's Rainbow
Gravity’s Rainbow
Incredible Hulk
Karatkevich
Khvylovy
Kyivan Rus
literary criticism methods
Literary Form
manuscript disappearance studies
narrative theory
Oliver Stone's JFK
Oliver Stone’s JFK
paranoia in literature
Plots
political dissent narratives
post-truth analysis
Post-Truth Politics
Pynchon
Pynchon's Fiction
Pynchon's Work
Pynchon’s Fiction
Pynchon’s Work
Retroactive Continuity
The Turner Diaries
Thomas Pynchon
Turner Diaries
UK Labour Party
Violating
Vulgar Novels
West Germany
Wolf Trap
Young Man

Product details

  • ISBN 9780367500696
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Nov 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This edited collection contributes to the study of conspiracy culture by analysing the relationship of literary forms to the formation, reception, and transformation of conspiracy theories.

Conspiracy theories are narratives, and their narrative form provides the structure within which their ‘readers’ situate themselves when interpreting the world and its history. At the same time, conspiracist interpretations of the world may then be transmediated into works of literature and import popular discourse into narrative structures. The suppression and disappearance of books themselves may generate conspiracy theories and become co-opted into political dissent. Additionally, literary criticism itself is shown to adopt conspiracist modes of interpretation. By examining conspiracy plots as literary plots, with narrative, rhetorical, and symbolic characteristics, this volume is the first systematic study of how conspiracy culture in American and European history is the consequence of its interactions with literature.

This book will be of great interest to researchers of conspiracy theories, literature, and literary criticism.

Ben Carver is a writing instructor at the European University Institute in Florence, Italy. He researches and writes about speculative literature. His publications study the hopes and fears of C19 alternate history, invasion and conspiracy fiction, and lost-world narratives.

Dana Craciun teaches 20th Century Literature and American Studies at the West University of Timișoara, Romania. Her other research interests include post-9/11 crises of representation, critical theory, and, more recently, conspiracy theories.

Todor Hristov teaches Critical Theory and Cultural Studies at the University of Sofia, Bulgaria. He is the author of books on conspiracy theories, literary theory, governmentality, social movements, and cultural studies, as well as articles on biopolitics, governmentality, critical political economy, and new social movements.