Poems and Satires

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Regular price €19.99
20th Century
21st Century
A01=Edna St Vincent Millay
Age Group_Uncategorized
Age Group_Uncategorized
American
Author_Edna St Vincent Millay
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B01=Tristram Fane Saunders
Category1=Non-Fiction
Category=DCF
COP=United Kingdom
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eq_biography-true-stories
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eq_non-fiction
eq_poetry
Irish
Language_English
PA=Temporarily unavailable
Price_€10 to €20
PS=Active
softlaunch
Women

Product details

  • ISBN 9781800171671
  • Dimensions: 135 x 216mm
  • Publication Date: 30 Sep 2021
  • Publisher: Carcanet Press Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Edna St Vincent Millay (1892-1950) was one of the most popular American writers of her generation, and the first woman to win the Pulitzer Prize for Poetry. Thomas Hardy once remarked that America had only two great wonders to show the world: skyscrapers, and the poetry of Edna St Vincent Millay. Poems and Satires restores that wonder to view, while also revealing Millay as a more innovative and versatile talent than she is usually given credit for being. It includes some of her wickedly funny satires (published under the pseudonym Nancy Boyd, out of print since 1924), as well as her acclaimed play Aria da Capo, and reveals her to be not only the defining 'flapper' poet of the 1920s but a crucial voice for the 2020s. The 'fierce and trivial' persona she cultivated in her early lyric poems and sonnets - with their dazzling wit and daring attitudes towards love and sexuality - captured the whirl of bohemian life in New York. In her genre-defying satires, she questioned society's treatment of women and artists in surreal stories and plays, non-fiction and spoof agony aunt letters, and even a Handmaid's Tale-esque dystopia disguised as an almanac from the future.
Edna St Vincent Millay (1892-1950) was one of the most popular American writers of her generation, and the first woman to win the Pulitzer Prize for Poetry. Thomas Hardy once remarked that America had only two great wonders to show the world: skyscrapers, and the poetry of Edna St Vincent Millay. She was a brilliantly innovative verse technician finding latent energies in traditional forms and discovering new means of her own to express what her editor Colin Falck calls 'her complex and extremely subtle feminist consciousness, her almost Blakean sense of the mysteriousness of ordinary life.' Millay's work is resistant to theory, yet she has never forfeited the love of general readers and a new generation will still discover one of the most accomplished and passionate poets of the last century.; Tristram Fane Saunders lives in London and works as a journalist. His poems appear in Carcanet's New Poetries VIII anthology, and his latest pamphlet is Woodsong (SmithDoorstop, 2019). He is The Telegraph's poetry critic.