A01=Ovid
ancient mediterranean
ancient rome
ancient world
augustus
Author_Ovid
banned books
barbarians
black sea
black sea letters
Category=DCF
censorship
classical literature
classicism
classics
constantza
empire
epics
epistulae ex ponto
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
exile
lamentations
latin
latin literature
letters
literary criticism
literature
nomads
ovid
poems of exile
poet
poetry
political prisoner
raids
rhetoric
roman empire
roman literature
roman poetry
romania
rome
theocratic age
tomis
tristia
violence
war
Product details
- ISBN 9780520242609
- Weight: 499g
- Dimensions: 130 x 197mm
- Publication Date: 18 Jan 2005
- Publisher: University of California Press
- Publication City/Country: US
- Product Form: Paperback
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In the year A.D. 8, Emperor Augustus sentenced the elegant, brilliant, and sophisticated Roman poet Ovid to exile - permanently, as it turned out - at Tomis, modern Constantza, on the Romanian coast of the Black Sea. The real reason for the emperor's action has never come to light, and all of Ovid's subsequent efforts to secure either a reprieve or, at the very least, a transfer to a less dangerous place of exile failed. Two millennia later, the agonized, witty, vivid, nostalgic, and often slyly malicious poems he wrote at Tomis remain as fresh as the day they were written, a testament for exiles everywhere, in all ages. The two books of the Poems of Exile, the Lamentations (Tristia) and the Black Sea Letters (Epistulae ex Ponto), chronicle Ovid's impressions of Tomis - its appalling winters, bleak terrain, and sporadic raids by barbarous nomads - as well as his aching memories and ongoing appeals to his friends and his patient wife to intercede on his behalf. While pretending to have lost his old literary skills and even to be forgetting his Latin, in the Poems of Exile Ovid in fact displays all his virtuoso poetic talent, now concentrated on one objective: ending the exile.
But his rhetorical message falls on obdurately deaf ears, and his appeals slowly lose hope. A superb literary artist to the end, Ovid offers an authentic, unforgettable panorama of the death-in-life he endured at Tomis.
Peter Green is Dougherty Centennial Professor Emeritus of Classics at the University of Texas at Austin and Adjunct Professor of Classics at the University of Iowa.He is the author of many books, including Alexander of Macedon, 356-323 B.C.: A Historical Biography (California, 1991) and Alexander to Actium: The Historical Evolution of the Hellenistic Age (California, 1990).His translations include Juvenal: The Sixteen Satires (third edition, 1998) and Apollonios Rhodios: The Argonautika (California, 1997).
