Poetics and Politics of Diaspora

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A01=Jerome C. Branche
Author_Jerome C. Branche
Bass Culture
Black People's Day
Black People’s Day
Black West Indian
bois
Cape Coast Castle
Category=DS
Category=DSA
Category=DSB
Category=JBCC
Category=JBSL
Category=NHTQ
consciousness
Creole Mother
Dead Men
double
Double Consciousness
Dread Talk
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
equatorial
Equatorial Guinea
Garcilaso De La Vega
guinea
indian
manuel
middle
Mother Poem
passage
PCN
People's Progressive Party
People’s Progressive Party
Plaster Of Paris
Pope Paul III
Race Today Collective
Rap Item
Rastafarian Language
Reggae Sounds
Slave Ship Sailors
Slave Ship Zong
Spanish Guinea
Spanish Language
Transatlantic Musings
west
Young Men

Product details

  • ISBN 9780415787949
  • Weight: 294g
  • Dimensions: 152 x 229mm
  • Publication Date: 14 Dec 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book studies the creative discourse of the modern African diaspora by analyzing poems, novels, essays, hip-hop and dub poetry in the Caribbean, England, Spain, and Colombia, and capturing diasporan movement through mutually intersecting axes of dislocation and relocation, and efforts at political group affirmation and settlement, or “location.” Branche’s study connects London’s multimillion-dollar riots of 2011, and its antecedents associated with the West Indian settler community, to the discontent and harrowing conditions facing black immigrants to contemporary Spain as gateway to Fortress Europe. It links the brutal massacres that target Colombia’s dispossessed and displaced poor - and mainly black - “throwaway” citizens, victims of the drug trade and neoliberal expansionism, to older Caribbean stories that tell of the original spurts of capitalist greed, and the colonial cauldron it created, at the center of which lay the slave trade. In revisiting the question of what really has awaited Afro-descendants at the end of the Middle Passage, this volume brings transatlantic slavery, the making of weak postcolonial states that bleed people, and the needle’s eye of racial identification together through a close reading of rappers, black radicals, dub poetry, and novelists from Europe, Africa, and the Americas. Branche at once demonstrates the existence of an archive of Afro-modern diasporan, discursive production, and just as importantly, points toward a historically-rooted theoretical framework that would contain its liberatory trajectory.

Jerome C. Branche is Associate Professor of Latin American Literature and Cultural Studies at the University of Pittsburgh.

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