Poetics of Arabic Autobiography

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A01=Ariel M. Sheetrit
Aa Aa Aa
Arabic Autobiography
Author's Mother
Author_Ariel M. Sheetrit
Author’s Mother
Autobiographical Expression
Autobiographical Protagonist
Autobiographical Subject
Autobiographical Text
Category=DS
Chopin
Cloud's Shadow
Cloud’s Shadow
collective memory studies
cross-cultural autobiography
Daphna Erdinast Vulcan
Entire Social Environment
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Hanan Al Shaykh
Ho Ho
Intergenerational Narrative
Intricate Tale
La Symphonie Pastorale
Leila Abouzeid
Leila's Father
Leila’s Father
life writing analysis
Literary Excerpts
Middle Eastern literature
Mohamed Choukri
Mother's Stories
Mother’s Stories
narrative identity theory
Picaresque Literature
Relational Autobiography
relational selfhood
Street Vendor
unconventional self-narrative structures
Women's Autobiographies
Women’s Autobiographies

Product details

  • ISBN 9780367258016
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 04 Mar 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book examines the poetics of autobiographical masterpieces written in Arabic by Leila Abouzeid, Hanan al-Shaykh, Samuel Shimon, Abd al-Rahman Munif, Salim Barakat, Mohamed Choukri and Hanna Abu Hanna. These literary works articulate the life story of each author in ways that undermine the expectation that the "self"—the "auto" of autobiography—would be the dominant narrative focus. Although every autobiography naturally includes and relates to others to one degree or another, these autobiographies tend to foreground other characters, voices, places and texts to the extent that at times it appears as though the autobiographical subject has dropped out of sight, even to the point of raising the question: is this an autobiography? These are indeed autobiographies, Sheetrit argues, albeit articulating the story of the self in unconventional ways.

Sheetrit offers in-depth literary studies that expose each text’s distinct strategy for life narrative. Crucial to this book’s approach is the innovative theoretical foundation of relational autobiography that reveals the grounding of the self within the collective—not as symbolic of it. This framework exposes the intersection of the story of the autobiographical subject with the stories of others and the tensions between personal and communal discourse. Relational strategies for self-representation expose a movement between two seemingly opposing desires—the desire to separate and dissociate from others, and the desire to engage and integrate within a particular relationship, community, culture or milieu. This interplay between disentangling and conscious entangling constitutes the leitmotif that unites the studies in this book.

Ariel M. Sheetrit (PhD, Harvard, 2007) is a lecturer in modern Arabic literature and Arabic film at the Open University of Israel. She has published many scholarly articles on Arabic autobiography, fiction, women’s writing and on Arab film.

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