Poetics of Imagining

Regular price €96.99
A01=Richard Kearney
Author_Richard Kearney
Category=QDHR5
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain

Product details

  • ISBN 9780823218714
  • Dimensions: 140 x 216mm
  • Publication Date: 01 Aug 1998
  • Publisher: Fordham University Press
  • Publication City/Country: US
  • Product Form: Hardback
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days: On Backorder

Will Deliver When Available: On Pre-Order or Reprinting

We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!

What is Imagination? What is the relationship between aesthetics and ethics in a contemporary civilization dominated by the image? How can we reconcile the right to imagine with the right to justice? Are the claims of artistic creativity and moral responsibility compatible?
With an extended foreword and an afterword chapter, and fascinating new material on the narrative imagination, Poetics of Imagining: Modern to Post-modern provides a critically developed and accessible account of the major theories of imagination in modern European thought. It analyses and assesses the decisive contributions made to our understanding of the imaginary life by phenomenology (Husserl, Sartre, Merleau-Ponty, Bachelard), hermeneutics (Heidegger, Ricoeur), and post-modernism (Vattima, Kristeva, Lyotard). Richard Kearney achieves this with a coherent and committed approach, which displays his own passionate concern for the claims of imagination in our post-modern world of fragmentation and fracture.
This is essential reading for those interested in current leading debates on the role of imagining in continental philosophy, ethics, psychoanalysis, art theory and literary criticism.

Richard Kearney is the Charles Seelig Professor of Philosophy at Boston College. He is the author of over 20 books, among them the trilogy The God Who May Be (Indiana University Press, 2001), On Stories (Routledge, 2002), and Strangers, Gods, and Monsters (Routledge, 2003), as well as works including Debates in Continental Philosophy (Fordham University Press, 2004), and Anatheism (Columbia, 2011). In 2008 he launched the Guestbook Project, an ongoing artistic, academic, and multi-media experiment in hospitality.