Poetics of Music in the Form of Six Lessons

Regular price €25.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
20th century music
A01=Igor Stravinsky
Aaron Copland What to Listen for in Music
Arnold Schoenberg Style and Idea
Author_Igor Stravinsky
ballet music
Category=AV
Category=AVC
Category=AVM
Category=AVN
Category=AVP
Category=QDTN
Charles Rosen The Classical Style
classical music
compositional methodology
compositional process
compositional technique
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
harmonic theory
Leonard Bernstein The Unanswered Question
modern music
music criticism
music philosophy
music theory
musical aesthetics
musical analysis
musical composition
musical constraints
musical craft
musical creativity
musical development
musical elements
musical exploration
musical expression
musical form
musical formalism
musical innovation
musical inspiration
musical interpretation
musical language
musical modernism
musical movement
musical notation
musical performance
musical principles
musical structure
musical tradition
musicology
neoclassicism
Norton lectures
orchestration
Pierre Boulez Notes of an Apprenticeship
rhythmic theory
Roger Sessions The Musical Experience
Stravinsky
symphonic composition

Product details

  • ISBN 9780674302433
  • Weight: 306g
  • Dimensions: 140 x 210mm
  • Publication Date: 16 Sep 2025
  • Publisher: Harvard University Press
  • Publication City/Country: US
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Timeless lessons on the pleasures of listening, the dilemmas of composition, and the meaning of artistic freedom from a founder of musical modernism.

In October 1939, Igor Stravinsky took the stage at Harvard not as a conductor but as a speaker. Invited to deliver the prestigious Norton Lectures, he had departed Europe just days after the outbreak of war, leaving behind not only a growing political maelstrom but also his life in France, where his wife, eldest daughter, and mother all had died in the previous year.

Poetics of Music offers a snapshot of this pivotal moment in the composer’s biography and career. Delivered at the height of his neoclassical period, which blended the sculptural precision of classicism with distinctively twentieth-century cadences, Stravinsky’s lectures explore both the creative potential and the constraints of tradition. Though he achieved artistic immortality as a genre-defying experimentalist who scandalized audiences in Belle Époque Paris, the Stravinsky we find here is more circumspect, defending the dignity of formal conventions against the more anarchic currents of modernist experimentation. Tradition, he argues, is not a relic of a bygone past but a living force that animates the present. And true artistic freedom emerges not only in moments of revolutionary inspiration but also through strict deference to the formal requirements of the work.

Like his compositions, Stravinsky’s lectures are ambitious and at times bombastic, punctuated by wit and polemic. Ranging widely from the phenomenology of rhythm to the fate of high culture in the Soviet Union, he invites us to reflect on what it is in music that compels us, whether we are hearing one of his polytonal works or a simple birdsong.

Igor Stravinsky (1882–1971) was one of the twentieth century’s most admired and influential composers, conductors, and music theorists. His ballets and symphonies, including The Firebird, Petrushka, and The Rite of Spring, cemented his central place in the evolution of musical modernism. Vijay Iyer is an award-winning composer, pianist, and music scholar. The recipient of a MacArthur Fellowship and the Doris Duke Performing Artist Award, he has been named Jazz Artist of the Year four times by the DownBeat International Critics’ Poll. He is Franklin D. and Florence Rosenblatt Professor of the Arts at Harvard University, where he directs a doctoral program in Creative Practice and Critical Inquiry. George Seferis (1900–1971) was a Nobel Prize–winning Greek poet, essayist, and diplomat. One of the most influential Greek authors of his generation, he received honorary doctorates from Cambridge, Oxford, and Princeton, and was made an honorary foreign member of the American Academy of Arts and Sciences. From 1957 to 1962, he served as Greek Ambassador to the United Kingdom.

More from this author