Poetry and the Anthropocene

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A01=Sam Solnick
aesthetics
Author_Sam Solnick
Biodiversity
biopolitics
British Ecocriticism
Category=DSBH
Category=DSC
Climate Change
climate crisis literature
Conservation
contemporary British Irish ecological poetry
Crow's Account
Derek Mahon
Early Ecocriticism
ecocriticism
environmental humanities
Environmental policy
Environmental studies
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Global Boundary Stratotype Section
Good Life
Great Acceleration
Harbour Lights
Hominid Brain Evolution
Hughes's Descriptions
Hughes's Work
Imaginary Parks
Irish Poetry
Iron Man
Iron Woman
J. H. Prynne
Mahon's Poem
OOO
Pair Rule Genes
posthumanism
Prynne's Work
Reverse Transcription
Romantic Ecology
science and poetry interface
Simulative Politics
Status Quo Concepts
Stratigraphic Marker
Ted Hughes
Young Men

Product details

  • ISBN 9781138597457
  • Weight: 360g
  • Dimensions: 156 x 234mm
  • Publication Date: 25 Apr 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book asks what it means to write poetry in and about the Anthropocene, the name given to a geological epoch where humans have a global ecological impact. Combining critical approaches such as ecocriticism and posthumanism with close reading and archival research, it argues that the Anthropocene requires poetry and the humanities to find new ways of thinking about unfamiliar spatial and temporal scales, about how we approach the metaphors and discourses of the sciences, and about the role of those processes and materials that confound humans’ attempts to control or even conceptualise them.

Poetry and the Anthropocene draws on the work of a series of poets from across the political and poetic spectrum, analysing how understandings of technology shape literature about place, evolution and the tradition of writing about what still gets called Nature. The book explores how writers’ understanding of sciences such as climatology or biochemistry might shape their poetry’s form, and how literature can respond to environmental crises without descending into agitprop, self-righteousness or apocalyptic cynicism. In the face of the Anthropocene’s radical challenges to ethics, aesthetics and politics, the book shows how poetry offers significant ways of interrogating and rendering the complex relationships between organisms and their environments in a world increasingly marked by technology.

Sam Solnick is the William Noble Research Fellow in the Department of English at the University of Liverpool, UK.

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