A01=Carrie Noland
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Aesthetic Theory
Aesthetics
Allusion
Ambiguity
Art
Arthur Rimbaud
Author_Carrie Noland
Avant-garde
Blaise Cendrars
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Category=DSC
Category=PDR
Charles Baudelaire
Commodification
Criticism
Cubism
Dada
Dialectic
Diction
Epistemology
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Fonds
French poetry
Genre
Guillaume Apollinaire
Heteronomy
High culture
Iconography
Ideology
Illuminations (poems)
Illustration
Immanence
Internal rhyme
Irony
Johanna Drucker
La Vie (painting)
Literary criticism
Literature
Lyric poetry
Marjorie Perloff
Martin Heidegger
Modernism
Modernity
Negative Dialectics
Newspaper
Parody
Patti Smith
Paul de Man
Philosopher
Philosophy
Poet
Poetry
Popular culture
Postmodernism
Prose
Rhetoric
Robert Delaunay
Romanticism
Situationist International
Sonia Delaunay
Subjectivity
Surrealism
Technology
The Modern World (novel)
The Other Hand
The Various
Theodor W. Adorno
Theory
Thought
Tristan Tzara
Typography
World War II
Writer
Writing
Product details
- ISBN 9780691004174
- Weight: 369g
- Dimensions: 197 x 254mm
- Publication Date: 05 Dec 1999
- Publisher: Princeton University Press
- Publication City/Country: US
- Product Form: Paperback
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Taking seriously Guillaume Apollinaire's wager that twentieth-century poets would one day "mechanize" poetry as modern industry has mechanized the world, Carrie Noland explores poetic attempts to redefine the relationship between subjective expression and mechanical reproduction, high art and the world of things. Noland builds upon close readings to construct a tradition of diverse lyricists--from Arthur Rimbaud, Blaise Cendrars, and Rene Char to contemporary performance artists Laurie Anderson and Patti Smith--allied in their concern with the nature of subjectivity in an age of mechanical reproduction.
Carrie Noland is Associate Professor of French at the University of California, Irvine.
