Policing the beats

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A01=Lambros Fatsis
African dancing
African diaspora
African drumming
Afro-diasporic music
Author_Lambros Fatsis
Beats and Betrayal
Black cultural studies
Black music
Black music as knowledge
Black radical thought
Boom Box
British colonial rule
Brixton riots
Category=AVLP
Category=AVM
Category=JBFA1
Category=JKV
contemporary Britain
copitalism
crime and policing
criminal injustice
criminalisation of Black music genres
crimmigration
critique of white reason
dangerous noise
Dizzee Rascal
drill music
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_new_release
eq_nobargain
eq_non-fiction
eq_society-politics
garage music
Kano
Notting Hill riots
police racism
policing Black music
postwar Britain
race
race relations
racial capitalism
racism
rap and violence
reggaue
Saidiya Hartman
slavery
soundsystems
Stephen Lawrence
Stormzy
Stuart Hall
There Ain't No Black in the Union Jack
UK drill
UK grime
UK hip-hop
UK R&B
Wiley
Windrush
Windrush scandal

Product details

  • ISBN 9781526171412
  • Weight: 292g
  • Dimensions: 129 x 198mm
  • Publication Date: 03 Mar 2026
  • Publisher: Manchester University Press
  • Publication City/Country: GB
  • Product Form: Paperback
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A bold analysis that exposes the racist policing of Black music.

The emergence of UK drill music made headline news, portraying it as a criminal enterprise instead of recognising it as an art form. This new rap subgenre, however, is neither the first nor the only Black music to be targeted this way.

Policing the beats rewinds the tape to demonstrate how music has been used as an instrument for policing Black people, from the era of colonial slavery to the present day, revealing the racist legal processes that make crimes out of rhymes.

This original and readable book offers the first in-depth account of the policing of Black music in Britain, highlighting the relationship between politics, culture and criminal (in)justice and inviting music lovers, scholars and activists to tune in.

Lambros Fatsis (aka Boulevard Soundsystem) is a lover of Black music(s) who lectures on the history of police racism and the criminalisation of Afro-diasporic music culture at City St. George’s University of London

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