Political Economy Goes to the Movies

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A01=Satyananda J. Gabriel
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Author_Satyananda J. Gabriel
behavioral economics
Bud Fox
Category=JBCT
Category=KCA
Category=KCL
Category=KCP
cinema studies
Cotton Dust
Critical Political Economists
critical theory
Daniel Plainview
Dead Man
distribution of wealth
Drilling Project
Dust Bowl
ecological economics
economic conflict
economic relationships
Energy Resources
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Erin Brockovich
film analysis
film-based economic analysis
financialisation
Golf Resort
Gordon Gekko
heterodox economics
historical materialism
inequality
Instrumentum Vocale
Interstate Water Compact
Joad Family
labour exploitation
Marxism
MBS
Metabolic Rift
Mingo County
Positive NPV Project
Quarry Bank Mill
Resort Project
Rheinische Zeitung
SCT
social class dynamics
Tom Joad
value theory
Young Man

Product details

  • ISBN 9781138298361
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 15 Nov 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Political Economy Goes to the Movies provides an introduction to political economy using a wide range of popular films and documentaries as the objects of analysis. The work helps readers to understand and analyze the economic and related political, cultural, and ecological relationships depicted in selected films. This is achieved through the lens of past and present economic theories and in the context of debates over the dynamic influence of economics on individual life chances.

Film may have more to teach us about the real world than the abstractions of certain economic theories. A world of income inequality, child labor in mills and mines, local rebellions against land seizures, and wars triggered by economic conflicts provide the context for many films mirroring real world events. Some films depict the interacting and intersecting political, economic, cultural, and ecological contexts within and between variant economic relationships, whereas other films show “catastrophes” such as economic depressions, disruptive social transitions, violent revolutions, and existential environmental degradation – a world in disequilibrium. Films allow us to see a panoply of human social relationships and related problems, even to explore cataclysmic moments in our species life, but not to necessarily see the why of these relationships and problems. Simultaneously, mainstream economics has severe constraints on what can be analyzed. Film exposes this weakness of the mainstream model. Twelve Years a Slave, Trumbo, The Big Short and others are analyzed for their realism by referencing documented historical social events, and behavioral economics provides further data for analyzing the realism of social interaction within the films.

Exploring events and contexts absent from the typical economics text or the basic level economics classes, this work is essential reading for students and scholars of political economy in both economics and politics departments, as well as those of pluralist economics and Marxist economics.

Satyananda J. Gabriel is Professor of Economics at Mount Holyoke College, USA.

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