Political Thriller in Contemporary American Cinema

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2001
20th Century cinema
21st Century cinema
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9/11
911
A01=Kresimir Bobas
American Political Discourse
American Political Film
American political thriller film analysis
Author_Kresimir Bobas
Category=ATFA
Category=ATMB
Category=JBCT
Category=JPWC
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Category=NHK
Category=NHTB
cinematic power structures
Cold War
conspiracy narratives
democracy erosion analysis
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eq_history
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eq_society-politics
Fair Game
Genre
governance in film
Green Zone
Iconography
Ideology
Intelligence Agencies
Lone Survivor
media and military influence
Political Thriller
September 11th
Snowden
State of Play
surveillance society cinema
Syriana
Terrorism
Terrorist Attacks
The Ides of March
The Manchurian Candidate
The Report
Threat
War
Whistleblowers
Zero Dark Thirty

Product details

  • ISBN 9781032887623
  • Weight: 560g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Jun 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The Political Thriller in Contemporary American Cinema examines how political thriller films (de)construct and reflect the sociopolitical realities of the second half of the twentieth century, as well as the first two decades of the twenty-first century.

The book highlights the convergence between the cinematic narrative, its underlying political discourse, and the audience’s perception of it. Through a critical lens, it analyzes how contemporary films utilize characterization, narrative, and suspense to examine topics of governance, malfeasance, and power dynamics. By referring to films such as The Manchurian Candidate, Zero Dark Thirty, and Snowden, this book traces the evolution of the political thriller, questioning how its narratives mirror issues such as covert operations, the erosion of democracy, and governmental surveillance. In turn, the conspiratorial and underlying paranoid nature of these films serves as a reflection of societal anxieties and a metaphorization of the levers of power in America’s modern-day democracy.

Consequently, this book serves as a contribution to the growing body of research on political cinema and the way it simultaneously reflects and shapes political life through its role as a sociocultural phenomenon. In doing so, it invites readers to further delve into the exploration of these films, which represent complex commentaries on the structures of corporations, media, and the military that are predominant in contemporary American society and cinema.

Krešimir Bobaš received his doctorate from the University of Zagreb in Croatia. His research delves into the representation of politics and its influence on media, with a particular focus on film.

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