Political Torture in Popular Culture

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A01=Alex Adams
Abu Ghraib
Arshin Adib Moghaddam
Author_Alex Adams
Bare Life
Category=JBCC1
Category=JPVH
Category=JPVR
CIA Black Site
CIA Program
CIA Torture
CIA's Involvement
CIA’s Involvement
colonial discourse
Counterinsurgency Military Doctrine
counterterrorism
Counterterrorism Discourse
counterterrorism ethics
Counterterrorist Torture
critical security studies
cultural analysis of torture debates
Dark Thirty
De Wijze
Distant Annihilations
Divine Violence
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Extraordinary Rendition
Giorgio Agamben
Giorgio Agamben's Homo Sacer
Giorgio Agamben’s Homo Sacer
Global War on Terrorism
Homo Sacer
human rights
human rights discourse
Kevin Toolis
liberal democracy critique
media depictions of violence
Political discourse
political effects
political torture
popular culture
post-9
post-911
Sovereign Violence
Ticking Bomb
Ticking Bomb Scenario
Ticking Bomb Situation
Torture Debate
Torture Works
UK Citizen
war on terror narratives

Product details

  • ISBN 9780367876586
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Political Torture in Popular Culture argues that the literary, filmic, and popular cultural representation of political torture has been one of the defining dimensions of the torture debate that has taken place in the course of the post-9/11 global war on terrorism. The book argues that cultural representations provide a vital arena in which political meaning is generated, negotiated, and contested.

Adams explores whether liberal democracies can ever legitimately perpetrate torture, contrasting assertions that torture can function as a legitimate counterterrorism measure with human rights-based arguments that torture is never morally permissible. He examines the philosophical foundations of pro- and anti-torture positions, looking at their manifestations in a range of literary, filmic and popular cultural texts, and assesses the material effects of these representations. Literary novels, televisual texts, films, and critical theoretical discourse are all covered, focusing on the ways that aesthetic and textual strategies are mobilised to create specific political effects.

This book is the first sustained analysis of the torture debate and the role that cultural narratives and representations play within it. It will be of great use to scholars interested in the emerging canon of post-9/11 cultural texts about torture, as well as scholars and students working in politics, history, geography, human rights, international relations, and terrorism studies, literary studies, cultural studies, and film studies.

Alex Adams completed his PhD in the School of English Literature, Language and Linguistics at Newcastle University, UK. He has contributed a number of journal articles and book chapters to recent publications.

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