Politicised Cinema

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6th UNESCO General Conference
A01=Miia Huttunen
Asian cinema representation
Author_Miia Huttunen
BFI
Catalogue Project
Category=ATF
Category=JP
Cinema
Cold War
Cold War media
Cultural Diplomacy
Decolonisation
decolonisation studies
East
East West Border
Eastern Cinema
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Film
film historiography
intercultural communication
Intercultural Understanding
International Advisory Committee
International Cultural Relations
Japan
Japan's Cultural Diplomacy
Japanese Films
Japan’s Cultural Diplomacy
Kurosawa
Kurosawa Films
Main Character
Moral Solidarity
Orient: A Survey of Films Produced in Countries of Arab and Asian Culture
Plot Summaries
Politics
Post-War Film
Post-war Japan
Princess Iron Fan
SCAP
Ukrainian SSR
UN
UNESCO
UNESCO Constitution
UNESCO film catalogue analysis
UNESCO System
UNESCO's Department
UNESCO's Vision
UNESCO’s Department
UNESCO’s Vision
visual political analysis
West
Western Cultural Values
World Politics Theory
Zoe

Product details

  • ISBN 9781032120058
  • Weight: 420g
  • Dimensions: 156 x 234mm
  • Publication Date: 25 Sep 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Politicised Cinema demonstrates how taking a collection of seemingly apolitical films and using them as an instrument for serving explicit political aims can be used as a force for good.

Through an analysis of Orient: A Survey of Films Produced in Countries of Arab and Asian Culture, a film catalogue published by UNESCO and the BFI in 1959 to promote intercultural understanding between the East and the West, this book argues for the importance of studying the ways the interpretation of films can be guided to serve a specific political agenda, even when the films themselves were originally produced with very different aims in mind. The author focuses on how the catalogue positions culture and its cinematic representations as a marker of difference between the Eastern and Western worlds, and shows that even major cultural conflicts such as the Cold War and the decolonisation process can be reframed in service of UNESCO’s cultural diplomatic agenda. The book explores the ways in which the catalogue of Eastern films deemed suitable for Western audiences became a weapon to fight against prejudice, intolerance, and bigotry in a politicised battle over dismantling the proclaimed link between difference and conflict.

This book will be of interest to students, researchers, and academics in visual politics, cinematic international relations, cultural diplomacy, global governance, and international cultural politics, as well as film studies, Asian studies, and cultural studies. In addition, policymakers and practitioners in the fields of cultural diplomacy and cultural policy will find the empirical case study to be of use in practical work.

Miia Huttunen is a Postdoctoral Researcher in the Department of Social Sciences and Philosophy at the University of Jyväskylä, Finland.

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