Transnational Moroccan Cinema
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Film criticism in Morocco
film distribution
Film Education
film exhibition
Gender
international co-productions
Moroccan cinema
Moroccan film culture
transnational cinema
Product details
- ISBN 9781474462891
- Dimensions: 156 x 234mm
- Publication Date: 31 Jan 2026
- Publisher: Edinburgh University Press
- Publication City/Country: GB
- Product Form: Hardback
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Since the early 2000s, Moroccan cinema has emerged as a major force in the Maghreb and African cinema, driven by digital technologies, international collaborations and co-production, and a focus on authentic storytelling.
This edited collection explores the complexities of Moroccan cinema's transnational dimensions, moving beyond a purely postcolonial framework to examine its global impact, political significance and diverse influences.
Featuring contributions from leading international scholars in African, Arab and transnational cinema studies, alongside film critics, educators and filmmakers from Morocco, the collection analyses cinema production, distribution and reception within global networks, highlighting the dynamic interplay between local contexts and international trends.
Will Higbee is a Professor of Film Studies at the University of Exeter. He has published widely on cinemas of the Maghreb and their diasporas, as well as questions of national and transnational cinema. He is the author of Post-Beur Cinema (2013) and co-editor of De-Westernizing Film Studies (2012). Florence Martin is the Van Meter Professor of French Transnational Studies at Goucher College (US). She has published internationally on Maghrebi cinema and women’s cinema. Her international publications on Maghrebi and women’s cinema include Screens and Veils: Maghrebi Women’s Cinema (2011) and her co-edition of Les Cinémas du Maghreb et leurs publics (2013).
