Politics and the English Country House, 1688–1800

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aesthetics
architecture
art
Burghley
Caribbean
Caribbean planters
Category=AMKS
Category=JPA
Category=NHD
Chatsworth
classical
consumption
Downing Street
Duke of Portland
East India Company
Edmund Burke
empire
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eq_bestseller
eq_history
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Esher Place
gender
George Barrett
gothic
Henrietta Clive
Holwood House
Horace Walpole
imperialism
India
landscape
liberty
London
Marquis of Rockingham
material culture
Palladian
philosophy
politicians
Powis Castle
Robert Clive
royal visits
Sarah Churchill
Walmer Castle
Wentworth Woodhouse
William Pitt

Product details

  • ISBN 9780228014027
  • Dimensions: 165 x 241mm
  • Publication Date: 15 Feb 2023
  • Publisher: McGill-Queen's University Press
  • Publication City/Country: CA
  • Product Form: Hardback
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Politics has always been at the heart of the English country house, in its design and construction, as well as in the activities and experiences of those who lived in and visited these places. As Britain moved from an agrarian to an imperial economy over the course of the eighteenth century, the home mirrored the social change experienced in the public sphere.
This collection focuses on the relationship between the country house and the mutable nature of British politics in the eighteenth century. Essays explore the country house as a stage for politicking, a vehicle for political advancement, a symbol of party allegiance or political values, and a setting for appropriate lifestyles. Initially the exclusive purview of the landed aristocracy, politics increasingly came to be played out in the open, augmented by the emergence of career politicians – usually untitled members of the patriciate – and men of new money, much of it created on Caribbean plantations or in the employ of the East India Company. Politics and the English Country House, 1688–1800 reveals how, during this period of profound change, the country house remained a constant. The country house was the definitive tangible manifestation of social standing and, for the political class, owning one became almost an imperative.
In its consideration of the country house as lived and spatial experience, as an aesthetic and symbolic object, and as an economic engine, this book offers a new perspective on the complexity of political meaning embedded in the eighteenth-century country house – and on ourselves as active recipients and interpreters of its various narratives, more than two centuries later.

Joan Coutu is professor of art history and visual culture at the University of Waterloo and the author of Then and Now: Collecting and Classicism in Eighteenth-Century England.
Jon Stobart is professor of social history at Manchester Metropolitan University.
Peter Lindfield is lecturer in history at Manchester Metropolitan University.