Politics of Belonging in Algerian Art

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A01=Cynthia J. Becker
Algerian artist collective Aouchem
Algerian modern art
Amazigh art
Art in the Maghrib
Author_Cynthia J. Becker
Berber art
Berber Spring
Berbers in Algeria
Category=AGA
Category=AGB
Category=NHH
Contemporary Art of the Arab World
Denis Martinez
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
forthcoming
Indigeneity in North Africa
Kabyle
Politics of Indigeneity in Modern Art
Tafsut Imazighen

Product details

  • ISBN 9781839998348
  • Weight: 454g
  • Dimensions: 153 x 229mm
  • Publication Date: 03 Nov 2026
  • Publisher: Anthem Press
  • Publication City/Country: GB
  • Product Form: Paperback
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This book explores modern Algerian art through the work of Denis Martinez, focusing on his 1989 series 7 murs revisités (Seven Walls Revisited). Organized in 1990 in Algeria’s Kabyle region, on the eve of the Algerian Civil War, the project emerged amid ongoing debates over cultural recognition and belonging within a postcolonial state negotiating national identity. The book argues that in decolonizing societies, modern art often exposes internal cultural and political tensions surrounding nationhood. As an Algerian of Spanish descent, Martinez embraced Algeria’s historical and cultural plurality, drawing on Amazigh art and other marginalized visual and symbolic languages not merely as aesthetic resources but as a means of articulating alternative forms of belonging. By grounding modern painting in vernacular practices and locally embedded histories, Martinez challenged dominant nationalist frameworks and reimagined art as a practice of ethical recognition, cultural inclusion, and political possibility.

Cynthia Becker is Professor of African art in the History of Art & Architecture Department at Boston University.

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