Politics of Contemporary Art Biennials

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13th Istanbul Biennial
A01=Panos Kompatsiaris
activism
activist art practices
art history
art institutional critique
Author_Panos Kompatsiaris
Berlin Biennale
biennial art politics case studies
biennial politics
Category=AB
Category=AGC
Category=JP
Chto Delat
Common Language
contemporary art
Contemporary Art Biennials
Contemporary Biennial
Contra Dictions
cultural policy analysis
curating
Direct Democracy
Discursive Exhibition
economics
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethnographic research methods
exhibition
Harald Szeemann
Havana Biennial
Hellenic Ministry
Jan Hoet
Japanese Film Critic
Large Scale Art Events
Minute Responsibility
museum studies
Muslim World
Nationalist Articulations
neoliberal politics of creativity
neoliberalism in art
Occupy
occupy cultures
Okwui Enwezor
politics
Public Engagements
Santa Maria Della Misericordia
social movements theory
visual culture
western world
Young Man

Product details

  • ISBN 9781138184589
  • Weight: 476g
  • Dimensions: 152 x 229mm
  • Publication Date: 22 Mar 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Contemporary art biennials are sites of prestige, innovation and experimentation, where the category of art is meant to be in perpetual motion, rearranged and redefined, opening itself to the world and its contradictions. They are sites of a seemingly peaceful cohabitation between the elitist and the popular, where the likes of Jeff Koons encounter the likes of Guy Debord, where Angela Davis and Frantz Fanon share the same ground with neoliberal cultural policy makers and creative entrepreneurs. Building on the legacy of events that conjoin art, critical theory and counterculture, from Nova Convention to documenta X, the new biennial blends the modalities of protest with a neoliberal politics of creativity.

This book examines a strained period for these high art institutions, a period when their politics are brought into question and often boycotted in the context of austerity, crisis and the rise of Occupy cultures. Using the 3rd Athens Biennale and the 7th Berlin Biennale as its main case studies, it looks at how the in-built tensions between the domains of art and politics take shape when spectacular displays attempt to operate as immediate activist sites. Drawing on ethnographic research and contemporary cultural theory, this book argues that biennials both denunciate the aesthetic as bourgeois category and simultaneously replicate and diffuse an exclusive sociability across social landscapes.

Panos Kompatsiaris is Assistant Professor of Art and Media at the Higher School of Economics in Moscow, Russia. He holds a PhD in art theory from the University of Edinburgh (2015) and has contributed to journals and edited volumes with texts on art and media theory, ethnography and cultural studies.

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