Politics of Dubbing

Regular price €54.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Carla Mereu Keating
Audiovisual translation
Author_Carla Mereu Keating
Category=ATF
Category=CFF
Category=CFP
Category=DSB
Category=GTM
Category=JB
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_dictionaries-language-reference
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics

Product details

  • ISBN 9783034318389
  • Weight: 280g
  • Dimensions: 150 x 225mm
  • Publication Date: 31 May 2016
  • Publisher: Peter Lang AG, Internationaler Verlag der Wissenschaften
  • Publication City/Country: CH
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns
During the late 1920s and the 1930s, the Italian government sought various commercial and politically oriented solutions to cope with the advent of new sound technologies in cinema. The translation of foreign-language films became a recurrent topic of ongoing debates surrounding the use of the Italian language, the rebirth of the national film industry and cinema’s mass popularity.
Through the analysis of state records and the film trade press, The Politics of Dubbing explores the industrial, ideological and cultural factors that played a role in the government’s support for dubbing. The book outlines the evolution of film censorship regulation in Italy and its interplay with film translation practices, discusses the reactions of Mussolini’s administration to early Italian-language talkies produced abroad and documents the state’s role in initiating and encouraging Italians’ habit of watching dubbed films.
Carla Mereu Keating holds a PhD in Italian Studies from the University of Reading. She has contributed to various publications on film history, censorship, ethnicity, dubbing and subtitling. She is a visiting research fellow at the Centre for the Study of Cultural Memory at the Institute of Modern Languages Research, School of Advanced Studies, University of London. Her current research focuses on portrayals of warfare and war legacy in films, state censorship and the shaping of cultural and collective memory.

More from this author