Politics of Iranian Cinema

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A01=Saeed Zeydabadi-Nejad
Abbas Kiarostami
art
Art Cinema
Art Films
Author_Saeed Zeydabadi-Nejad
Ayatollah Khomeini
box
Box Office Figures
Category=ATF
Category=GTM
Category=JBCT
Category=JP
Category=NH
Censorship Section
Cinema Space
Crimson Gold
cultural policy analysis
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Face To Face
Farabi Cinema Foundation
FIFF
figures
film censorship research
filmmakers
films
Glass Agency
Iranian Art Cinema
Iranian Authorities
Iranian Cinema
Iranian film industry negotiation
Iranian Filmmakers
Iranian Governance
Iranian Tastes
islamic
Jafar Panahi
Lor Girl
Makhmalbaf's Film
Makhmalbaf’s Film
media regulation Iran
Middle Eastern film studies
office
qualitative ethnography
republic
Screening Permit
social
social change cinema
Social Films
Women's Films
womens
Women’s Films
Young Men

Product details

  • ISBN 9780415455367
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Nov 2009
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Iran has undergone considerable social upheaval since the revolution and this has been reflected in its cinema. Drawing on first-hand interviews and detailed ethnographic research, this book explores how cinema is engaged in the dynamics of social change in contemporary Iran. The author not only discusses the practices of regulation and reception of films from major award winning directors but also important mainstream filmmakers such as Hatamikia and Tabizi.

Contributing to ethnographic accounts of Iranian governance in the field of culture, the book reveals the complex behind-the-scenes negotiations between filmmakers and the authorities which constitute a major part of the workings of film censorship. The author traces the relationship of Iranian cinema to recent social/political movements in Iran, namely reformism and women’s movement, and shows how international acclaim has been instrumental in filmmakers’ engagement with matters of political importance in Iran.

This book will be a valuable tool for courses on film and media studies, and will provide a significant insight into Iranian cultural politics for students of cultural studies and anthropology, Middle Eastern and Iranian studies.

Saeed Zeydabadi-Nejad completed his PhD in Media Studies in 2006 at SOAS, University of London. He currently teaches at the Centre for Media and Film Studies at SOAS and at the Institute of Ismaili Studies.

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