Politics of Memory in Sinophone Cinemas and Image Culture

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Affective Aura
Agnes Schick-Chen
archival theory
Beijing Film Academy
British Documentary Film Movement
Category=ATF
Category=ATFA
Category=GTM
Category=JBCT
Category=JBSL
Category=NHTB
CCP Government
CCP Leader
Chen Chieh-jen
chinese
Chinese Cinema
Chinese Cinema History
Chinese Cinema Studies
Chris Berry
collective memory studies
Crouching Tiger
digital archiving in Sinophone film
East Asian media analysis
Ella Raidel
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film historiography
Hibiscus Town
Hidden Dragon
Hongjohn Lin
Ip Man
Isabel Wolte
Jade Fox
Lu Xinyu
Luo Qun
Main Melody Film
Nanjing University
Peng Hsiao-yen
postcolonial cinema research
Sandy Hsiu-chih Lo
Sinophone Cinema
Sinophone visual culture
Tianyun Mountain
Tsai's Film
Tsai’s Film
Wang Jingwen
Wuxia Films
Wuxia Movies
Young Man
Yu-lin Lee
Zhang Yimou
Zhongguo Dianying

Product details

  • ISBN 9780367209278
  • Weight: 380g
  • Dimensions: 156 x 234mm
  • Publication Date: 17 Jan 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Cinema archives memories, conserves the past, and rewrites histories. As much as the Sinophone embodies differences, contemporary Sinophone cinemas in Taiwan, Hong Kong, and the People’s Republic of China invest various images of contested politics in order to assert different histories and self-consciousness. As such, Sinophone cinemas and image production function as archives, with the capability of reinterpreting the multiple dimensions of past and present.

The Politics of Memory in Sinophone Cinemas and Image Culture investigates Sinophone films and art projects that express this desire for archiving and reconfiguring the past. Comprising ten chapters, this book brings together contributors from an array of disciplines - artists, filmmakers, curators, film critics, and literary scholars - to grapple with the creative ambiguities of Sinophone cinemas and image culture. Blending eclectic methods of scholarly research, knowledge-making, and art-making into a new discursive space, the chapters address the diverse complexities of the cinematic culture and image production in Sinitic language regions.

This book is a valuable resource for students and scholars of film studies, China studies, East Asian studies, Taiwan studies, and Sinophone studies, as well as professionals who work in the film industry.

Peng Hsiao-yen is Research Fellow at the Institute of Chinese Literature and Philosophy, Academia Sinica, Taiwan.

Ella Raidel is Senior Postdoc (Elise-Richter-PEEK) at Art University Linz, Austria.