Politics of Punk

Regular price €55.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=David A. Ensminger
anarchist music
anarchy
Author_David A. Ensminger
Category=AVLP
Category=JBCC1
charitable giving
charity
counterculture
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
grunge
history of punk
music history and critcism
musical critique
political music
pop culture
pop music
rock and roll

Product details

  • ISBN 9781442254442
  • Weight: 562g
  • Dimensions: 157 x 237mm
  • Publication Date: 11 Aug 2016
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Punk rock has long been equated with the ever-shifting concepts of dissent, disruption, and counter-cultural activities. As a result, since its 1970s and 1980s incarnations, when bands in Britain—from The Clash and Sex Pistols to Angelic Upstarts, U.K. Subs, and Crass—offered alternative political convictions and subversive lifestyle choices, the media has often deemed punk a threat. Bands like Circle Jerks, Dead Kennedys, Bad Religion, and Millions of Dead Cops followed suit in America, pushing similar boundaries as the music mutated into a harsher “hardcore” style that branched deep into suburban enclaves. Those antagonisms and ideals were, in turn, translated by another wave of bands—from Fugazi to Anti-Flag—whose commitment to community building was as pronounced as their taut, explosive tunes.

In The Politics of Punk, David Ensminger probes the conscience of punk by going beyond the lyrics and slogans of the pithy culture war. He paints a broad, nuanced, and well-documented picture of the ongoing activism and outreach inherent in punk. Creating a people’s history of punk’s social, cultural, aesthetic, and political features, the book features original interviews with members of Dead Kennedys, Dead Boys, MDC, Channel 3, Snap-Her, Scream, Minutemen, TSOL, the Avengers, Blowdryers, and many more. Ensminger highlights punk money’s influence on philanthropy and community involvement and paints a contextualized picture of how punk critiqued dominant culture by channeling support and media coverage for a wide array of humanitarian programs for gays and lesbians, the homeless, the disabled, environmental and health research, and other causes.

David Ensminger is humanities, folklore, and English instructor at Lee College in Baytown, Texas. He has written about music, art, and contemporary issues and is author of Visual Vitriol: The Street Art and Subcultures of the Punk and Hardcore Generations and Left of the Dial: Conversations with Punk Icons. He has contributed to Popmatters, Maximum Rocknroll, Houston Press, Trust, Postmodern Culture, Art in Print, M/C Journal, Journal of Popular Music Studies, Liminalities, Artcore, and various other journals.

More from this author