Politics of Sex, Race and Working-Class Slang in Late Second Empire French Caricature

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
1848
1867
A01=Russell Stephens
Alfred Delvau
Amedee de Noe
argot
argot in media
Author_Russell Stephens
Bertall
bourgeois
caricaturist
cartoon
Category=AB
Category=AGA
Category=JBCT
Category=JPWC
Category=NHD
censorship in print culture
Cham
China
Chinese
comedy
comic
consumer
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Eugenie
France
hidden messages in caricature art
Honore Daumier
humor
image
laughter
magazine
mass media
media
mockery
Morland
Napoleon III
nineteenth century
nineteenth-century France
Paris
parody
public
publication
race
racial representation studies
racism
revolution
Robida
satire
satirical illustration research
sex
sexual
visual culture
visual satire analysis
workers
working class
World's Fair
xenophobia

Product details

  • ISBN 9781032897127
  • Weight: 600g
  • Dimensions: 174 x 246mm
  • Publication Date: 10 Aug 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

This study examines caricatures as they appeared within popular Parisian magazines in mid-19th century France at the time of the 1867 World’s Fair. Chapters compare the comic mockery of several of the most important satirists of this time, including Amédée de Noé, or “Cham” (1818–1879) as he was more popularly known, and Honoré Daumier (1808–1879). A major theme within the analysis is how these caricaturists secretly used argot (street slang), as documented in two slang dictionaries by Parisian litterateur, Alfred Delvau (1825–1867), within their comic images to carry hidden encrypted messages in order to evade the censorship of the day. The book focuses primarily on caricatures of Chinese visitors who were part of the 1866 diplomatic visit to Paris and images of Chinese at the 1867 Exposition Universelle, showing how the satires which were published by Cham used argot to create highly sexualised images that were often racist in nature. In contrast, the volume proposes that Daumier used slang in his caricatures to challenge racism and to make secret reference to current political leaders and politics. The book will be of interest to scholars working in art history, visual culture, media studies, and communication studies.

Russell Stephens obtained his Ph.D. in Art History from the University of British Columbia, Canada.

More from this author