Politics of Violence Against Women in Climate Fiction

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A01=Mona Ashour
Author_Mona Ashour
Category=DS
Category=DSK
Category=DSM
Category=JBSF1
climate change narratives
climate fiction
ecofeminism
environmental humanities
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminist literary criticism
forthcoming
gender-based violence
Global South literature
social justice

Product details

  • ISBN 9781666960617
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Oct 2026
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
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Mona Ashour offers an interdisciplinary exploration of how climate change and gender-based violence intersect in contemporary literature.

Bridging together literary studies, environmental humanities, and gender studies, this book examines how climate fiction not only reflects ecological and social anxieties but critiques power, privilege, and systemic violence. Ashour draws upon narratives from both the Global North and Global South, including Margaret Atwood’s "Oryx and Crake," Arundhati Roy’s "The Ministry of Utmost Happiness," Octavia Butler’s "Parable of the Sower," and Nnedi Okorafor’s "Who Fears Death" to trace how women’s bodies and lives become contested sites of vulnerability and resilience in times of environmental crisis. Through the framework of ecofeminism, posthumanism, and critical fabulation, it demonstrates how cli-fi narratives reimagine survival, reverse traditional othering, and highlight women’s agency in apocalyptic and post-apocalyptic settings. Ultimately, The Politics of Violence Against Women in Climate Fiction positions climate fiction as a critical cultural force that not only registers the layered violence of climate collapse but also envisions alternative futures rooted in equity, care, and feminist resistance.

Mona Ashour is Assistant Professor in Humanities and Women’s Studies and Fulbright Alumni. She teaches at Santa Fe College in Florida, USA.

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