Polychrome Art in the Early Modern World

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America
Andes
architecture
art history
artistic collaboration
artists
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B01=Ilenia Colón Mendoza
B01=Lisandra Estevez
Category1=Non-Fiction
Category=AC
Category=AFC
Category=AFKB
Category=AGA
Category=AMX
Central America
ceramics
colonialism
colonies
conservation
COP=United Kingdom
cross-cultural material exchange
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devotional objects
early modern
early modern polychrome sculpture research
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Europe
Guatemala
Italy
Language_English
limestone
liturgical
marble
material culture studies
Mediterranean
Mexico
mystical writing
New Spain
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pageantry
painting
paragone
pigment analysis
pigments
polychromy
Price_€100 and above
procession
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religion
sacred art techniques
science
sculpture
softlaunch
South America
Spain
terracotta
transcultural
treatise
wax
wood
workshops

Product details

  • ISBN 9780367436353
  • Weight: 540g
  • Dimensions: 174 x 246mm
  • Publication Date: 04 Jul 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This book focuses on the techniques and materials of polychromy used in early modern Europe and the Americas from 1200 to 1800.

Taking a trans-cultural approach, the book studies the production of polychrome sculptures, panels, and altarpieces, as well as colored terracotta. The book includes chapters on treatises and contracts that reveal specific use of pigments, distribution of workshops, collaborations between specialized artists, and artistic programs centered on the use of color as an agent.

The book will be of interest to scholars working in art history, art conservation, early modern history, sculpture, colonialism, material culture, and European studies.

Ilenia Colón Mendoza is Professor of Art History at the School of Visual Arts and Design of the University of Central Florida, USA.

Lisandra Estevez is Associate Professor of Art History at Winston-Salem State University, USA.