Pop Art and Popular Music

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1960s
A01=Melissa L. Mednicov
American Negro
Andy Warhol
art and gender
art and race
art history
Author_Melissa L. Mednicov
Barbra Streisand
Black artists representation
blackness
Candice Breitz
Category=AB
Category=ABA
Category=AGA
Category=JBCT
Category=JBSF
Category=JBSL
Christian Marclay
civil rights
civil rights era
Colouring Book
Cosmic Ray
Dwan Gallery
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
exhibition history
Exploding Plastic Inevitable
fandom
female artists
Ferus Gallery
Flaming Star
gender and identity in art
identity
James Rosenquist
Jean Paul Belmondo
King Creole
Martial Raysse
mass media
modernism
music influence on visual art
Muzeum Sztuki
Niki De Saint Phalle
Pauline Boty
Peter Blake
Pink Tones
Pop Art
Pop Exhibitions
pop music
Pop Referent
Pop Soundtrack
Pop Stars
popular music
Presley's Image
Presley’s Image
queer art theory
racial identity
Scorpio Rising
sixties
sixties counterculture
The Four Preps
Tv Picture
visual culture studies
Warhol's Film
Warhol’s Film
Whitechapel Gallery
women artists

Product details

  • ISBN 9780815374206
  • Weight: 566g
  • Dimensions: 174 x 246mm
  • Publication Date: 14 Jun 2018
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Hardback
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This book offers an innovative and interdisciplinary approach to Pop art scholarship through a recuperation of popular music into art historical understandings of the movement. Jukebox modernism is a procedure by which Pop artists used popular music within their works to disrupt decorous modernism during the sixties. Artists, including Peter Blake, Pauline Boty, James Rosenquist, and Andy Warhol, respond to popular music for reasons such as its emotional connectivity, issues of fandom and identity, and the pleasures and problems of looking and listening to an artwork. When we both look at and listen to Pop art, essential aspects of Pop’s history that have been neglected—its sounds, its women, its queerness, and its black subjects—come into focus.

Melissa Mednicov is Assistant Professor of Art History at Sam Houston State University.

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