Pop & Postfeminism

Regular price €36.50
Title
Quantity:
Will Deliver When Available
Shipping & Delivery
A01=Nathalie Weidhase
Amy Winehouse
Author_Nathalie Weidhase
black femininity
Category=ATFA
Category=JBSF11
celebrity culture
cultural studies
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_nobargain
eq_non-fiction
eq_society-politics
female dandy
femininity
feminism and popular culture
feminist theory
forthcoming
gender and sexuality
gender performance
Lady Gaga
Lana Del Rey
media and identity
music videos
Pop music
pop stardom
popular music studies
post-racial discourse
postfeminism
queer studies
race and gender
Rihanna
visual culture
whiteness

Product details

  • ISBN 9781350515895
  • Dimensions: 138 x 216mm
  • Publication Date: 25 Jun 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

In Pop & Postfeminism, Nathalie Weidhase conceptualises the female dandy as a figure that simultaneously embodies and disrupts postfeminist notions of femininity, including maintaining a physique conforming to contemporary beauty standards, constant self-surveillance and self-improvement, and the naturalisation of gender difference and heterosexuality.

Weidhase examines how music videos function as spaces in popular culture where the politics of the feminine can be articulated. These spaces allow female pop stars to be valued as artists with distinct contributions to popular music. Focusing on Amy Winehouse, Rihanna, Lady Gaga, and Lana Del Rey, she illuminates different characteristics of the postfeminist dandy in popular music. Amy Winehouse's work makes visible the commodification of the female spectacle in popular culture, highlighting how her image and persona were marketed and consumed. Rihanna performs black femininity as postfeminism’s abject Other. Lady Gaga queers monstrous motherhood and celebrates female musical lineage. Lana Del Rey's work demonstrates how whiteness operates as a canvas for postfeminist and post-racial fantasies, offering a platform for their deconstruction and critique.
Weidhase’s analysis provides a comprehensive understanding of how these pop stars navigate and challenge the intricate landscape of postfeminism, offering a nuanced perspective on contemporary femininity and its representations in popular culture.

Nathalie Weidhase is Lecturer in Media and Communication at the University of Surrey, UK. She has published on women in popular music and celebrity feminism in the journal Celebrity Studies, as well as in the collection Women, Celebrity and Cultures of Ageing: Freeze Frame (2015).

More from this author