Popular Culture in Africa

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African media studies
African Popular Arts
African Popular Cultures
art
Art Form
Barber 1997b
Bee
Category=ATF
Category=AVL
Category=DSBH5
Category=GTM
Category=JBCC1
Category=JBCT
Category=JHB
Category=JHMC
Category=NH
Chick Lit
cinema
communication
Crime Fi Ction
cultural hybridity research
Dance Fl Oor
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
everyday life cultural analysis
film
gender and sexuality discourse
internet
isiZulu Language
Ivory Coast
Karin Barber
La Noire De
literature
media
Middle Class
music
Nollywood
Okome
Onitsha Market
performance studies Africa
Popular Art Form
Popular Arts
Popular Fi Ction
Popular Neighborhoods
post-colonial
postcolonial social transformation
Project Kenya
Sheen Reading
Social Unconscious
Standup Comedian
street
text
urban youth identities
Vice Versa
Young Men
Zambia's Literature
Zambia’s Literature

Product details

  • ISBN 9780415532921
  • Weight: 800g
  • Dimensions: 152 x 229mm
  • Publication Date: 12 Nov 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This volume marks the 25th anniversary of Karin Barber’s ground-breaking article, "Popular Arts in Africa", which stimulated new debates about African popular culture and its defining categories. Focusing on performances, audiences, social contexts and texts, contributors ask how African popular cultures contribute to the formation of an episteme. With chapters on theater, Nollywood films, blogging, and music and sports discourses, as well as on popular art forms, urban and youth cultures, and gender and sexuality, the book highlights the dynamism and complexity of contemporary popular cultures in sub-Saharan Africa.

Focusing on the streets of Africa, especially city streets where different cultures and cultural personalities meet, the book asks how the category of "the people" is identified and interpreted by African culture-producers, politicians, religious leaders, and by "the people" themselves. The book offers a nuanced, strongly historicized perspective in which African popular cultures are regarded as vehicles through which we can document ordinary people’s vitality and responsiveness to political and social transformations.

Stephanie Newell is Professor of English at the University of Sussex, UK.

Onookome Okome is Professor of African Literature and Cinema in the Department of English at the University of Alberta, Canada.