Popular Hindi Cinema

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A01=Ronie Parciack
Aishwarya Rai
Anurag Kashyap
Author_Ronie Parciack
bombay
Bombay Cinema
Category=ATF
Category=JBCC1
Category=JBCT
Category=JBSL
Category=NHTB
Category=QDHC
cinematic
Cinematic Reality
Consecration Rite
Dharmic Codes
Dharmic Conduct
Dhobi Ghat
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film
Hindi Cinema
indian
Indian Mediascape
industry
Jai Santoshi Maa
Mukta Arts
Mumbai Film Industry
Musical Plane
Narrative Plane
Om Shanti Om
phenomenal
Popular Hindi
Popular Hindi Cinema
Rakeysh Omprakash Mehra
Rasa Theories
Sanjay Leela Bhansali
sequence
song
Song Sequence
space
Sublime Voice
Tamil Nadu
world
Young Man

Product details

  • ISBN 9780367875183
  • Weight: 380g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The popular Hindi film industry is the largest in India and the most conspicuous film industry in the non-Western world. This book analyses the pivotal visual and narrative conventions employed in popular Hindi films through the combined prism of film studies and classical Indian philosophy and ritualism.

The book shows the films outside Western paradigms, as visual manifestations and outcomes of the evolution of classical Hindu notions and esthetic forms. These include notions associated with the Advaita-Vedānta philosophical school and early Buddhist thought, concepts and dynamism stemming from Hindu ritualism, rasa esthetic theories, as well as Brahmanic notions such as dharma (religion, law, order), and mokṣa (liberation). These are all highly abstract notions which the author defines as "the unseen": a cluster of diversified concepts denoting what subsists beyond the phenomenal, what prevails beyond the empirical world of saṁsāra and stands out of this world (alaukika), while simultaneously being embodied and transformed within visual filmic imagery, codes and semiotics that are teased out and analyzed.

A culturally sensitive reading of popular Hindi films, the interpretations put forward are also applicable to the Western context. They enable a fuller understanding of religious phenomena outside the primary religious field, within the vernacular arenas of popular culture and mass communication. The book is of interest to scholars in the fields of Indology, modern Indian studies, film, media and cultural studies.

Ronie Parciack is a Lecturer in the Department of East Asian Studies at Tel Aviv University, Israel. Her research interests include vernacular religion in South Asian visual media and popular culture, the vernacular planes of political theology in India, and Indo-Islamic culture.

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