Popular Media, Social Emotion and Public Discourse in Contemporary China

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A01=Shuyu Kong
Author_Shuyu Kong
Bitter Emotion
bullet
Bullet Fly
Category=ATF
Category=GTM
Category=JBCC
Category=JBCT
CCP Ideology
chinese
cultural
Cultural Public Sphere
drama
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Family Mediator
feng
Feng Xiaogang
fly
Han Sanping
Harmonious Society
huayi
Huayi Brothers
Ma 2010b
Ma Nuo
Magic Cube
Meng Fei
Net Bar
Popular Tv Drama
Post-1980s Generation
Provincial Tv Station
Public Engagement
sphere
television
Tv Drama Producer
Tv Drama Series
Tv Mediation
Tv Producer
Tv Station
xiaogang
Young Man

Product details

  • ISBN 9780415719896
  • Weight: 470g
  • Dimensions: 156 x 234mm
  • Publication Date: 04 Mar 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Since the early 1990s the media and cultural fields in China have become increasingly commercialized, resulting in a massive boom in the cultural and entertainment industries. This evolution has also brought about fundamental changes in media behaviour and communication, and the enormous growth of entertainment culture and the extensive penetration of new media into the everyday lives of Chinese people.

Against the backdrop of the rapid development of China’s media industry and the huge growth in social media, this book explores the emotional content and public discourse of popular media in contemporary China. It examines the production and consumption of blockbuster films, television dramas, entertainment television shows, and their corresponding online audience responses, and describes the affective articulations generated by cultural and media texts, audiences and social contexts. Crucially, this book focuses on the agency of audiences in consuming these media products, and the affective communications taking place in this process in order to address how and why popular culture and entertainment programs exert so much power over mass audiences in China. Indeed, Shuyu Kong shows how Chinese people have sought to make sense of the dramatic historical changes of the past three decades through their engagement with popular media, and how this process has created a cultural public sphere where social communication and public discourse can be launched and debated in aesthetic and emotional terms.

Based on case studies that range from television drama to blockbuster films, and reality television programmes to social media sites, this book will be of great interest to students and scholars of Chinese culture and society, media and communication studies, film studies and television studies.

Shuyu Kong is Associate Professor in the Department of Humanities at Simon Fraser University, Canada.

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