Popular Music and Cultural Policy

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arts funding policy
Australia Council
Australian Federal Police
Canadian Municipal Governments
Canadian Music Industry
Category=AVLP
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Category=JBCT
Contemporary Soundscape
Content Quotas
creative industries strategy
Creative Scotland
Creative Subcultures
Cultural City Planning
Cultural Industries
Cultural Industries Policy
Cultural Policy
cultural policy analysis
Cultural Value of Music
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eq_music
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Gertrude Street
independent music subcultures
Local Music Industry
Music and the City
Music Industry
music industry regulation
Music Policy
Popular Music
Popular Music Policy
Pram Factory
Scottish Music Industries
state intervention in music policy
Ubiquity Effect
UK Conservative Party
UK Music
UK Music Industry
UK's National Lottery
UK’s National Lottery
urban music economies
Wind Farms
Wind Turbines
Young Men

Product details

  • ISBN 9781138787766
  • Weight: 408g
  • Dimensions: 174 x 246mm
  • Publication Date: 09 Feb 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Popular music is increasingly visible in government strategies and policies. While much has been written about the expanding flow of music products and music creativity in emphasising the global nature of popular music, little attention has been paid to the flow of ideas about policy formation and debates between regions and nations. This book examines specific regional and national histories, and the different cultural values placed on popular music. The state emerges as a key site of tension between high and low culture, music as art versus music as commerce, public versus private interests, the right to make noisy art versus the right to a good night’s sleep. The political economy of urban popular music is a strong focus, examining attempts to combine and complement arts and cultural policies with ‘creative city’ and ‘creative industries’ strategies. The Anglophone case studies of policy contexts in Canada, Britain, the US and Australia reveal how the everyday influence and use of popular music is also about questions of aesthetics, funding and power.

This book was originally published as a special issue of The International Journal of Cultural Policy.

Shane Homan is an Associate Professor of Media Studies at Monash University, Melbourne, Australia. Martin Cloonan is Professor of Popular Music and Politics at the University of Glasgow, Scotland, UK. Jen Cattermole is a Lecturer in the Department of Music at Otago University, Dunedin, New Zealand.