Popular Music and Retro Culture in the Digital Era

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1990s Club
A01=Jean Hogarty
Authentic Structure
Author_Jean Hogarty
Category=AVLP
Category=JBCC1
Category=JBCT
Category=JHBA
Category=JHMC
century
De Zengotita
digital media culture
empirical analysis of retro music trends
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
fan engagement research
fans
generation
Generation Unit
Ghost Box
Greater Dublin Area
hauntology theory
intergenerational audiences
late
LCD
mid-to
Mid-to Late Twentieth Century
music sociology
nostalgia studies
Pop Stars
Popular Music
Popular Music Fans
Popular Music's Past
Popular Music’s Past
postsubcultural
Postsubcultural Theories
Retro Culture
Reunion Tours
Subcultural Capital
Subcultural Theory
Technological Determinism
Temporal Split
theories
twentieth
Twentieth Century Popular Music
UK Riot
unit
Vicarious Memories
Vicarious Nostalgia
Working Class Fans
young
Younger Fans

Product details

  • ISBN 9780367877248
  • Weight: 204g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book explores the trend of retro and nostalgia within contemporary popular music culture. Using empirical evidence obtained from a case study of fans’ engagement with older music, the book argues that retro culture is the result of an inseparable mix of cultural and technological changes, namely, the rise of a new generation and cultural mood along with the encouragement of new technologies. Retro culture has become a hot topic in recent years but this is the first time the subject has been explored from an academic perspective and from the fans’ perspective. As such, this book promises to provide concrete answers about why retro culture dominates in contemporary society.

For the first time ever, this book provides an empirically grounded theory of popular music, retro culture and its intergenerational audience in the twenty-first century. It will appeal to advanced students of popular music studies, cultural studies, media studies, sociology and music.

Jean Hogarty is an independent scholar currently working at the Economic and Social Research Institute, having previously lectured at NUI Maynooth.

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